The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20
Stevenson, Robert Louis
French -- England -- Fiction; Prisoners of war -- Fiction
I suppose this woke me up; it stirred in me besides a spirit of
opposition, and in spite of cold, darkness, the highwaymen and the
footpads, I determined to walk right on till breakfast-time: a happy
resolution, which enabled me to observe one of those traits of manners
which at once depict a country and condemn it. It was near midnight when
I saw, a great way ahead of me, the light of many torches; presently
after, the sound of wheels reached me, and the slow tread of feet, and
soon I had joined myself to the rear of a sordid, silent, and lugubrious
procession, such as we see in dreams. Close on a hundred persons marched
by torchlight in unbroken silence; and in their midst a cart, and in
the cart, on an inclined platform, the dead body of a man--the
centre-piece of this solemnity, the hero whose obsequies we were come
forth at this unusual hour to celebrate. It was but a plain, dingy old
fellow of fifty or sixty, his throat cut, his shirt turned over as
though to show the wound. Blue trousers and brown socks completed his
attire, if we can talk so of the dead. He had a horrid look of a
waxwork. In the tossing of the lights he seemed to make faces and mouths
at us, to frown, and to be at times upon the point of speech. The cart,
with this shabby and tragic freight, and surrounded by its silent escort
and bright torches, continued for some distance to creak along the
high-road, and I to follow it in amazement, which was soon exchanged for
horror. At the corner of a lane the procession stopped, and, as the
torches ranged themselves along the hedgerow-side, I became aware of a
grave dug in the midst of the thoroughfare, and a provision of quicklime
piled in the ditch. The cart was backed to the margin, the body slung
off the platform and dumped into the grave with an irreverent roughness.
A sharpened stake had hitherto served it for a pillow. It was now
withdrawn, held in its place by several volunteers, and a fellow with a
heavy mallet (the sound of which still haunts me at night) drove it home
through the bosom of the corpse. The hole was filled with quicklime, and
the bystanders, as if relieved of some oppression, broke at once into a
sound of whispered speech.
My shirt stuck to me, my heart had almost ceased beating, and I found my
tongue with difficulty.
"I beg your pardon," I gasped to a neighbour, "what is this? what has he
done? is it allowed?"
"Why, where do you come from?" replied the man.
"I am a traveller, sir," said I, "and a total stranger in this part of
the country. I had lost my way when I saw your torches, and came by
chance on this--this incredible scene. Who was the man?"
"A suicide," said he. "Ay, he was a bad one was Johnny Green."
Public-domain text, read in full here on John Shaqi.
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