The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21
Stevenson, Robert Louis
English literature -- 19th century
For it chanced one day that his walk led him into a portion of the
uplands which was almost unknown to him. Scrambling through some rough
woods, he came out upon a moorland reaching towards the hills. A few
lofty Scots firs grew hard by upon a knoll; a clear fountain near the
foot of the knoll sent up a miniature streamlet which meandered in the
heather. A shower had just skimmed by, but now the sun shone brightly,
and the air smelt of the pines and the grass. On a stone under the trees
sat a young lady sketching. We have learned to think of women in a sort
of symbolic transfiguration, based on clothes; and one of the readiest
ways in which we conceive our mistress is as a composite thing,
principally petticoats. But humanity has triumphed over clothes; the
look, the touch of a dress has become alive; and the woman who stitched
herself into these material integuments has now permeated right through
and gone out to the tip of her skirt. It was only a black dress that
caught Dick Naseby's eye; but it took possession of his mind, and all
other thoughts departed. He drew near, and the girl turned round. Her
face startled him; it was a face he wanted; and he took it in at once
like breathing air.
"I beg your pardon," he said, taking off his hat, "you are sketching."
"Oh!" she exclaimed, "for my own amusement. I despise the thing."
"Ten to one you do yourself injustice," returned Dick. "Besides, it's a
freemasonry. I sketch myself, and you know what that implies."
"No. What?" she asked.
"Two things," he answered. "First, that I am no very difficult critic;
and second, that I have a right to see your picture."
She covered the block with both her hands. "Oh, no," she said; "I am
ashamed."
"Indeed, I might give you a hint," said Dick. "Although no artist
myself, I have known many; in Paris I had many for friends, and used to
prowl among studios."
"In Paris?" she cried, with a leap of light into her eyes. "Did you ever
meet Mr. Van Tromp?"
"I? Yes. Why, you're not the Admiral's daughter, are you?"
"The Admiral? Do they call him that?" she cried. "Oh, how nice, how nice
of them! It is the younger men who call him so, is it not?"
"Yes," said Dick, somewhat heavily.
"You can understand now," she said, with an unspeakable accent of
contented and noble-minded pride, "why it is I do not choose to show my
sketch. Van Tromp's daughter! The Admiral's daughter! I delight in that
name. The Admiral! And so you know my father?"
"Well," said Dick, "I met him often; we were even intimate. He may have
mentioned my name--Naseby."
"He writes so little. He is so busy, so devoted to his art! I have had a
half wish," she added, laughing, "that my father was a plainer man whom
I could help--to whom I could be a credit; but only sometimes, you know,
and with only half my heart. For a great painter! You have seen his
works?"
"I have seen some of them," returned Dick; "they--they are very nice."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account