The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21
Stevenson, Robert Louis
English literature -- 19th century
"Dick," she exclaimed, "I am so glad to get a word with you; I am so
happy, I have such a thousand things to say; and I want you to do me a
favour. Imagine, he has come without a paint-box, without an easel; and
I want him to have all. I want you to get them for me in Thymebury. You
saw, this moment, how his heart turned to painting. They can't live
without it," she added; meaning perhaps Van Tromp and Michelangelo.
Up to that moment she had observed nothing amiss in Dick's behaviour.
She was too happy to be curious; and his silence, in presence of the
great and good being whom she called her father, had seemed both natural
and praiseworthy. But now that they were alone, she became conscious of
a barrier between her lover and herself, and alarm sprang up in her
heart.
"Dick," she cried, "you don't love me."
"I do that," he said heartily.
"But you are unhappy; you are strange; you--you are not glad to see my
father," she concluded, with a break in her voice.
"Esther," he said, "I tell you that I love you; if you love me, you know
what that means, and that all I wish is to see you happy. Do you think I
cannot enjoy your pleasure? Esther, I do. If I am uneasy, if I am
alarmed, if----. Oh, believe me, try and believe in me," he cried, giving
up argument with perhaps a happy inspiration.
But the girl's suspicions were aroused; and though she pressed the
matter no further (indeed, her father was already seen returning), it by
no means left her thoughts. At one moment she simply resented the
selfishness of a man who had obtruded his dark looks and passionate
language on her joy; for there is nothing that a woman can less easily
forgive than the language of a passion which, even if only for the
moment, she does not share. At another, she suspected him of jealousy
against her father; and for that, although she could see excuses for it,
she yet despised him. And at least, in one way or the other, here was
the dangerous beginning of a separation between two hearts. Esther found
herself at variance with her sweetest friend; she could no longer look
into his heart and find it written in the same language as her own; she
could no longer think of him as the sun which radiated happiness upon
her life, for she had turned to him once, and he had breathed upon her
black and chilly, radiated blackness and frost. To put the whole matter
in a word, she was beginning, although ever so slightly, to fall out of
love.
CHAPTER VI
THE PRODIGAL FATHER GOES ON FROM STRENGTH TO STRENGTH
Public-domain text, read in full here on John Shaqi.
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