The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
Just then I saw two women coming down a path, one of them old, and the
other younger, with a child in her arms. Both had faces eaten with
famine and hardened with sin, and both had reached that stage of
degradation, much lower in a woman than a man, when all care for dress
is lost. As they came down they neared a grave, where some pious friend
or relative had laid a wreath of immortelles, and put a bell glass over
it, as is the custom. The effect of that ring of dull yellow among so
many blackened and dusty sculptures was more pleasant than it is in
modern cemeteries, where every second mound can boast a similar coronal;
and here, where it was the exception and not the rule, I could even
fancy the drops of moisture that dimmed the covering were the tears of
those who laid it where it was. As the two women came up to it, one of
them kneeled down on the wet grass and looked long and silently through
the clouded shade, while the second stood above her, gently oscillating
to and fro to lull the muling baby. I was struck a great way off with
something religious in the attitude of these two unkempt and haggard
women; and I drew near faster, but still cautiously, to hear what they
were saying. Surely on them the spirit of death and decay had descended;
I had no education to dread here: should I not have a chance of seeing
nature? Alas! a pawnbroker could not have been more practical and
commonplace, for this was what the kneeling woman said to the woman
upright--this and nothing more: "Eh, what extravagance!"
O nineteenth century, wonderful art thou indeed--wonderful, but
wearisome in thy stale and deadly uniformity. Thy men are more like
numerals than men. They must bear their idiosyncrasies or their
professions written on a placard about their neck, like the scenery in
Shakespeare's theatre. The precepts of economy have pierced into the
lowest ranks of life; and there is now a decorum in vice, a
respectability among the disreputable, a pure spirit of Philistinism
among the waifs and strays of thy Bohemia. For lo! thy very gravediggers
talk politics; and thy castaways kneel upon new graves, to discuss the
cost of the monument and grumble at the improvidence of love.
Such was the elegant apostrophe that I made as I went out of the gates
again, happily satisfied in myself, and feeling that I alone of all whom
I had seen was able to profit by the silent poem of these green mounds
and blackened headstones.
FOOTNOTES:
[34] "Religio Medici," Part ii.
[35] "Duchess of Malfi."
IV
NURSES
Public-domain text, read in full here on John Shaqi.
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