The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
He is old, but all these years have not yet quenched his thirst for
evil, and his eyes still delight themselves in wickedness. He is dumb;
but he will not let that hinder his foul trade, or perhaps I should say,
his yet fouler amusement, and he has pressed a slate into the service of
corruption. Look at him, and he will sign to you with his bloated head,
and when you go to him in answer to the sign, thinking perhaps that the
poor dumb man has lost his way, you will see what he writes upon his
slate. He haunts the doors of schools, and shows such inscriptions as
these to the innocent children that come out. He hangs about
picture-galleries, and makes the noblest pictures the text for some
silent homily of vice. His industry is a lesson to ourselves. Is it not
wonderful how he can triumph over his infirmities and do such an amount
of harm without a tongue? Wonderful industry--strange, fruitless,
pleasureless toil? Must not the very devil feel a soft emotion to see
his disinterested and laborious service? Ah, but the devil knows better
than this: he knows that this man is penetrated with the love of evil
and that all his pleasure is shut up in wickedness: he recognises him,
perhaps, as a fit type for mankind of his satanic self, and watches over
his effigy as we might watch over a favourite likeness. As the business
man comes to love the toil, which he only looked upon at first as a
ladder towards other desires and less unnatural gratifications, so the
dumb man has felt the charm of his trade and fallen captivated before
the eyes of sin. It is a mistake when preachers tell us that vice is
hideous and loathsome; for even vice has her Hoersel and her devotees,
who love her for her own sake.
COLLEGE PAPERS
COLLEGE PAPERS
I
EDINBURGH STUDENTS IN 1824
Public-domain text, read in full here on John Shaqi.
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