The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
With all this in mind, I have often been tempted to put forth the
paradox that any place is good enough to live a life in, while it is
only in a few, and those highly favoured, that we can pass a few hours
agreeably. For, if we only stay long enough, we become at home in the
neighbourhood. Reminiscences spring up, like flowers, about
uninteresting corners. We forget to some degree the superior loveliness
of other places, and fall into a tolerant and sympathetic spirit which
is its own reward and justification. Looking back the other day on some
recollections of my own, I was astonished to find how much I owed to
such a residence; six weeks in one unpleasant country-side had done
more, it seemed, to quicken and educate my sensibilities than many years
in places that jumped more nearly with my inclination.
The country to which I refer was a level and treeless plateau over which
the winds cut like a whip. For miles on miles it was the same. A river,
indeed, fell into the sea near the town where I resided; but the valley
of the river was shallow and bald, for as far up as ever I had the heart
to follow it. There were roads, certainly, but roads that had no beauty
or interest; for, as there was no timber, and but little irregularity of
surface, you saw your whole walk exposed to you from the beginning:
there was nothing left to fancy, nothing to expect, nothing to see by
the wayside, save here and there an unhomely-looking homestead, and here
and there a solitary, spectacled stone-breaker; and you were only
accompanied, as you went doggedly forward, by the gaunt telegraph-posts
and the hum of the resonant wires in the keen sea-wind. To one who had
learned to know their song in warm pleasant places by the Mediterranean,
it seemed to taunt the country, and make it still bleaker by suggested
contrast. Even the waste places by the side of the road were not, as
Hawthorne liked to put it, "taken back to Nature" by any decent covering
of vegetation. Wherever the land had the chance, it seemed to lie
fallow. There is a certain tawny nudity of the South, bare sun-burnt
plains, coloured like a lion, and hills clothed only in the blue
transparent air; but this was of another description--this was the
nakedness of the North; the earth seemed to know that it was naked, and
was ashamed and cold.
Public-domain text, read in full here on John Shaqi.
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