The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
It seemed to be always blowing on that coast. Indeed, this had passed
into the speech of the inhabitants, and they saluted each other when
they met with "Breezy, breezy," instead of the customary "Fine day" of
farther south. These continual winds were not like the harvest breeze,
that just keeps an equable pressure against your face as you walk, and
serves to set all the trees talking over your head, or bring round you
the smell of the wet surface of the country after a shower. They were of
the bitter, hard, persistent sort, that interferes with sight and
respiration, and makes the eyes sore. Even such winds as these have
their own merit in proper time and place. It is pleasant to see them
brandish great masses of shadow. And what a power they have over the
colour of the world! How they ruffle the solid woodlands in their
passage, and make them shudder and whiten like a single willow! There is
nothing more vertiginous than a wind like this among the woods, with all
its sights and noises; and the effect gets between some painters and
their sober eyesight, so that, even when the rest of their picture is
calm, the foliage is coloured like foliage in a gale. There was nothing,
however, of this sort to be noticed in a country where there were no
trees and hardly any shadows, save the passive shadows of clouds or
those of rigid houses and walls. But the wind was nevertheless an
occasion of pleasure; for nowhere could you taste more fully the
pleasure of a sudden lull, or a place of opportune shelter. The reader
knows what I mean; he must remember how, when he has sat himself down
behind a dyke on a hill-side, he delighted to hear the wind hiss vainly
through the crannies at his back; how his body tingled all over with
warmth, and it began to dawn upon him, with a sort of slow surprise,
that the country was beautiful, the heather purple, and the far-away
hills all marbled with sun and shadow. Wordsworth, in a beautiful
passage of the "Prelude," has used this as a figure for the feeling
struck in us by the quiet by-streets of London after the uproar of the
great thoroughfares; and the comparison may be turned the other way with
as good effect:
"Meanwhile the roar continues, till at length,
Escaped as from an enemy, we turn
Abruptly into some sequester'd nook,
Still as a shelter'd place when winds blow loud!"
Public-domain text, read in full here on John Shaqi.
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