The Works of Robert Louis Stevenson - Swanston Edition, Vol. 24 — John Shaqi
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 24Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 24
Stevenson, Robert Louis
Authors, Scottish -- 19th century -- Correspondence; Stevenson, Robert Louis, 1850-1894 -- Correspondence
COLVIN,--The attempt to correspond with you is vain. Well, well, then so
be it. I will from time to time write you an insulting letter, brief but
monstrous harsh. I regard you in the light of a genteel impostor. Your
name figures in the papers but never to a piece of letter-paper: well,
well.
News. I am well: Fanny been ill but better: _Otto_ about three-quarters
done; _Silverado_ proofs a terrible job--it is a most unequal work--new
wine in old bottles--large rats, small bottles:[5] as usual,
penniless--O but penniless: still, with four articles in hand (say L35)
and the L100 for _Silverado_ imminent, not hopeless.
Why am I so penniless, ever, ever penniless, ever, ever
penny-penny-penniless and dry?
The birds upon the thorn,
The poppies in the corn,
They surely are more fortunate or prudenter than I!
In Arabia, everybody is called the Father of something or other for
convenience or insult's sake. Thus you are "the Father of Prints," or of
"Bummkopferies," or "Father of Unanswered Correspondence." They would
instantly dub Henley "the Father of Wooden Legs"; me they would
denominate the "Father of Bones," and Matthew Arnold "the Father of
Eyeglasses."
I have accepted most of the excisions. Proposed titles:--
The Innocent Muse.
A Child's Garden of Rhymes.
Songs of the Playroom.
Nursery Songs.
I like the first?
R. L. S.
TO W. E. HENLEY
_La Solitude, Hyeres, May or June 1883._
DEAR LAD,--Snatches in return for yours; for this little once, I'm well
to windward of you.
Seventeen chapters of _Otto_ are now drafted, and finding I was working
through my voice and getting screechy, I have turned back again to
rewrite the earlier part. It has, I do believe, some merit: of what
order, of course, I am the last to know; and, triumph of triumphs, my
wife--my wife who hates and loathes and slates my women--admits a great
part of my Countess to be on the spot.
Yes, I could borrow, but it is the joy of being before the public, for
once. Really, L100 is a sight more than _Treasure Island_ is worth.
The reason of my _deche_? Well, if you begin one house, have to desert
it, begin another, and are eight months without doing any work, you will
be in a _deche_ too. I am not in a _deche_, however; _distingue_--I
would fain distinguish; I am rather a swell, but _not solvent_. At a
touch the edifice, _aedificium_, might collapse. If my creditors began to
babble around me, I would sink with a slow strain of music into the
crimson west. The difficulty in my elegant villa is to find oil,
_oleum_, for the dam axles. But I've paid my rent until September; and
beyond the chemist, the grocer, the baker, the doctor, the gardener,
Lloyd's teacher, and the great chief creditor Death, I can snap my
fingers at all men. Why will people spring bills on you? I try to make
'em charge me at the moment; they won't, the money goes, the debt
remains.--The Required Play is in the _Merry Men_.
Q. E. F.
Public-domain text, read in full here on John Shaqi.
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