The Works of Robert Louis Stevenson - Swanston Edition, Vol. 24 — John Shaqi
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 24Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 24
Stevenson, Robert Louis
Authors, Scottish -- 19th century -- Correspondence; Stevenson, Robert Louis, 1850-1894 -- Correspondence
DEAR MR. HADDON,--Your note with its piece of excellent news duly
reached me. I am delighted to hear of your success: selfishly so; for it
is pleasant to see that one whom I suppose I may call an admirer is no
fool. I wish you more and more prosperity, and to be devoted to your
art. An art is the very gist of life; it grows with you; you will never
weary of an art at which you fervently and superstitiously labour.
Superstitiously: I mean, think more of it than it deserves; be blind to
its faults, as with a wife or father; forget the world in a technical
trifle. The world is very serious; art is the cure of that, and must be
taken very lightly; but to take art lightly, you must first be stupidly
owlishly in earnest over it. When I made Casimir say "Tiens" at the end,
I made a blunder. I thought it was what Casimir would have said and I
put it down. As your question shows, it should have been left out. It
was a "patch" of realism, and an anti-climax. Beware of realism; it is
the devil; 'tis one of the means of art, and now they make it the end!
And such is the farce of the age in which a man lives, that we all, even
those of us who most detest it, sin by realism.
Notes for the student of any art.
1. Keep an intelligent eye upon _all_ the others. It is only by doing so
that you come to see what Art is: Art is the end common to them all, it
is none of the points by which they differ.
2. In this age beware of realism.
3. In your own art, bow your head over technique. Think of technique
when you rise and when you go to bed. Forget purposes in the meanwhile;
get to love technical processes; to glory in technical successes; get to
see the world entirely through technical spectacles, to see it entirely
in terms of what you can do. Then when you have anything to say, the
language will be apt and copious.
My health is better.
I have no photograph just now; but when I get one you shall have a copy.
It will not be like me; sometimes I turn out a capital, fresh bank
clerk; once I came out the image of Runjeet Singh; again the treacherous
sun has fixed me in the character of a travelling evangelist. It's quite
a lottery; but whatever the next venture proves to be, soldier, sailor,
tinker, tailor, you shall have a proof. Reciprocate. The truth is I have
no appearance; a certain air of disreputability is the one constant
character that my face presents: the rest change like water. But still I
am lean, and still disreputable.
Cling to your youth. It is an artistic stock in trade. Don't give in
that you are ageing, and you won't age. I have exactly the same faults
and qualities still; only a little duller, greedier and better tempered;
a little less tolerant of pain and more tolerant of tedium. The last is
a great thing for life but--query?--a bad endowment for art?
Another note for the art student.
Public-domain text, read in full here on John Shaqi.
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