As it very seldom happens that the rage of extemporary criticism inflicts fatal or lasting wounds, I know not that the laws of benevolence entitle this distress to much sympathy. The diversion of baiting an author has the sanction of all ages and nations, and is more lawful than the sport of teasing other animals, because, for the most part, he comes voluntarily to the stake, furnished, as he imagines, by the patron powers of literature, with resistless weapons, and impenetrable armour, with the mail of the boar of Erymanth, and the paws of the lion of Nemea. But the works of genius are sometimes produced by other motives than vanity; and he whom necessity or duty enforces to write, is not always so well satisfied with himself, as not to be discouraged by censorious impudence. It may therefore be necessary to consider, how they whom publication lays open to the insults of such as their obscurity secures against reprisals, may extricate themselves from unexpected encounters. Vida, a man of considerable skill in the politicks of literature, directs his pupil wholly to abandon his defence, and even when he can irrefragably refute all objections, to suffer tamely the exultations of his antagonist. This rule may perhaps be just, when advice is asked, and severity solicited, because no man tells his opinion so freely as when he imagines it received with implicit veneration; and criticks ought never to be consulted, but while errours may yet be rectified or insipidity suppressed. But when the book has once been dismissed into the world, and can be no more retouched, I know not whether a very different conduct should not be prescribed, and whether firmness and spirit may not sometimes be of use to overpower arrogance and repel brutality. Softness, diffidence, and moderation, will often be mistaken for imbecility and dejection; they lure cowardice to the attack by the hopes of easy victory, and it will soon be found that he whom every man thinks he can conquer, shall never be at peace. The animadversions of criticks are commonly such as may easily provoke the sedatest writer to some quickness of resentment and asperity of reply. A man, who by long consideration has familiarized a subject to his own mind, carefully surveyed the series of his thoughts, and planned all the parts of his composition into a regular dependance on each other, will often start at the sinistrous interpretations or absurd remarks of haste and ignorance, and wonder by what infatuation they have been led away from the obvious sense, and upon what peculiar principles of judgment they decide against him. The eye of the intellect, like that of the body, is not equally perfect in all, nor equally adapted in any to all objects; the end of criticism is to supply its defects; rules are the instruments of mental vision, which may indeed assist our faculties when properly used, but produce confusion and obscurity by unskilful application.