The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 02: The Rambler, Volume IJohnson, Samuel
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The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 02: The Rambler, Volume I
Johnson, Samuel
English essays -- 18th century
Another obstacle to the general reception of this kind of poetry, is the
ignorance of maritime pleasures, in which the greater part of mankind
must always live. To all the inland inhabitants of every region, the
sea is only known as an immense diffusion of waters, over which men pass
from one country to another, and in which life is frequently lost. They
have, therefore, no opportunity of tracing, in their own thoughts, the
descriptions of winding shores and calm bays, nor can look on the poem
in which they are mentioned, with other sensations than on a sea chart,
or the metrical geography of Dionysius.
This defect Sannazarius was hindered from perceiving, by writing in
a learned language to readers generally acquainted with the works of
nature; but if he had made his attempt in any vulgar tongue, he would
soon have discovered how vainly he had endeavoured to make that loved,
which was not understood.
I am afraid it will not be found easy to improve the pastorals of
antiquity, by any great additions or diversifications. Our descriptions
may indeed differ from those of Virgil, as an English from an Italian
summer, and, in some respects, as modern from ancient life; but as
nature is in both countries nearly the same, and as poetry has to do
rather with the passions of men, which are uniform, than their customs,
which are changeable, the varieties, which time or place can furnish,
will be inconsiderable; and I shall endeavour to shew, in the next
paper, how little the latter ages have contributed to the improvement
of the rustick muse.
No. 37. TUESDAY, JULY 24, 1750.
_Canto quæ solitus, si quando armenta vocabat,_
_Amphion Dircæus._
VIRG. Ec. ii. 23.
Such strains I sing as once Amphion play'd,
When list'ning flocks the powerful call obey'd.
ELPHINSTON.
In writing or judging of pastoral poetry, neither the authors nor criticks
of latter times seem to have paid sufficient regard to the originals
left us by antiquity, but have entangled themselves with unnecessary
difficulties, by advancing principles, which, having no foundation
in the nature of things, are wholly to be rejected from a species of
composition, in which, above all others, mere nature is to be regarded.
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