It is therefore necessary to inquire after some more distinct and exact idea of this kind of writing. This may, I think, be easily found in the pastorals of Virgil, from whose opinion it will not appear very safe to depart, if we consider that every advantage of nature, and of fortune, concurred to complete his productions; that he was born with great accuracy and severity of judgment, enlightened with all the learning of one of the brightest ages, and embellished with the elegance of the Roman court; that he employed his powers rather in improving, than inventing, and therefore must have endeavoured to recompense the want of novelty by exactness; that taking Theocritus for his original, he found pastoral far advanced towards perfection, and that having so great a rival, he must have proceeded with uncommon caution. If we search the writings of Virgil for the true definition of a pastoral, it will be found _a poem in which any action or passion is represented by its effects upon a country life_. Whatsoever therefore may, according to the common course of things, happen in the country, may afford a subject for a pastoral poet. In this definition, it will immediately occur to those who are versed in the writings of the modern criticks, that there is no mention of the golden age. I cannot indeed easily discover why it is thought necessary to refer descriptions of a rural state to remote times, nor can I perceive that any writer has consistently preserved the Arcadian manners and sentiments. The only reason, that I have read, on which this rule has been founded, is, that, according to the customs of modern life, it is improbable that shepherds should be capable of harmonious numbers, or delicate sentiments; and therefore the reader must exalt his ideas of the pastoral character, by carrying his thoughts back to the age in which the care of herds and flocks was the employment of the wisest and greatest men. These reasoners seem to have been led into their hypothesis, by considering pastoral, not in general, as a representation of rural nature, and consequently as exhibiting the ideas and sentiments of those, whoever they are, to whom the country affords pleasure or employment, but simply as a dialogue, or narrative of men actually tending sheep, and busied in the lowest and most laborious office; from whence they very readily concluded, since characters must necessarily be preserved, that either the sentiments must sink to the level of the speakers, or the speakers must be raised to the height of the sentiments.