The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 08: The Lives of the Poets, Volume IIJohnson, Samuel
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The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 08: The Lives of the Poets, Volume II
Johnson, Samuel
Poets, English -- 18th century -- Biography; Poets, English -- Early modern, 1500-1700 -- Biography
Next year he gave another specimen of his abilities in the Double
Dealer, which was not received with equal kindness. He writes to his
patron, the lord Halifax, a dedication, in which he endeavours to
reconcile the reader to that which found few friends among the audience.
These apologies are always useless: "de gustibus non est disputandum;"
men may be convinced, but they cannot be pleased, against their will.
But, though taste is obstinate, it is very variable; and time often
prevails when arguments have failed.
Queen Mary conferred upon both those plays the honour of her presence;
and when she died, soon after, Congreve testified his gratitude by a
despicable effusion of elegiack pastoral; a composition in which all is
unnatural, and yet nothing is new.
In another year, 1695, his prolifick pen produced Love for Love; a
comedy of nearer alliance to life, and exhibiting more real manners than
either of the former. The character of Foresight was then common. Dryden
calculated nativities; both Cromwell and king William had their lucky
days; and Shaftesbury himself, though he had no religion, was said to
regard predictions. The Sailor is not accounted very natural, but he is
very pleasant.
With this play was opened the new theatre, under the direction of
Betterton the tragedian; where he exhibited, two years afterwards, 1697,
the Mourning Bride, a tragedy, so written as to show him sufficiently
qualified for either kind of dramatick poetry.
In this play, of which, when he afterwards revised it, he reduced the
versification to greater regularity, there is more bustle than
sentiment; the plot is busy and intricate, and the events take hold on
the attention; but, except a very few passages, we are rather amused
with noise, and perplexed with stratagem, than entertained with any true
delineation of natural characters. This, however, was received with more
benevolence than any other of his works, and still continues to be acted
and applauded.
But whatever objections may be made, either to his comick or tragick
excellence, they are lost, at once, in the blaze of admiration, when it
is remembered that he had produced these four plays before he had passed
his twenty-fifth year; before other men, even such as are some time to
shine in eminence, have passed their probation of literature, or presume
to hope for any other notice than such as is bestowed on diligence and
inquiry. Among all the efforts of early genius which literary history
records, I doubt whether any one can be produced that more surpasses the
common limits of nature than the plays of Congreve.
Public-domain text, read in full here on John Shaqi.
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