ἁπάντων ἀποσιωπῆσαι, πειράσθαι δὲ εἰς δύναμιν φράζειν ὑπὲρ αὐτῶν καὶ τῆς μὲν φρονήσεως ποιεῖσθαι σημεῖον καὶ τῆς ἄλλης ἀρετῆς πάσης, ὅτι τὸν γήμαντα διέθηκεν οὕτω περὶ αὑτὴν, ὥσπερ οὖν ἄξιον γυναῖκα καλὴν καὶ γενναίαν. (But should any haply desire to hear of such things as how the bride was bidden to come from Macedonia with her mother, and what was the manner of the cavalcade, of the chariots and horses and carriages of all sorts, decorated with gold and silver and copper of the finest workmanship, let me tell him that it is extremely childish of him to wish to hear such things. It is like the case of some player on the cithara who is an accomplished artist—let us say if you please Terpander or he of Methymna(529) of whom the story goes that he enjoyed a divine escort and found that the dolphin cared more for music than did his fellow‐voyagers, and was thus conveyed safely to the Laconian promontory.(530) For though he did indeed charm those miserable sailors by his skilful performance, yet they despised his art and paid no heed to his music. Now, as I was going to say, if some one were to choose the best of those two musicians, and were to clothe him in the raiment suited to his art, and were then to bring him into a theatre full of men, women and children of all sorts, varying in temperament and age and habits besides, do you not suppose that the children and those of the men and women who had childish tastes would gaze at his dress and his lyre, and be marvellously smitten with his appearance, while the more ignorant of the men, and the whole crowd of women, except a very few, would judge his playing simply by the criterion of pleasure or the reverse; whereas a musical man who understood the rules of the art would not endure that the melodies should be wrongly mixed for the sake of giving pleasure, but would resent it if the player did not preserve the modes of the music and did not use the harmonies properly, and conformably to the laws of genuine and inspired music? But if he saw that he was faithful to the principles of his art and produced in the audience a pleasure that was not spurious but pure and uncontaminated, he would go home praising the musician, and filled with admiration because his performance in the theatre was artistic and did the Muses no wrong. But such a man thinks that anyone who praises the purple raiment and the lyre is foolish and out of his mind, while, if he goes on to give full details about such outward things, adorning them with an agreeable style and smoothing away all that is worthless and vulgar in the tale, then the critic thinks him more ridiculous than those who try to carve cherry‐ stones,(531) as I believe is related of Myrmecides(532) who thus sought to rival the art of Pheidias. And so neither will I, if I can help it, lay myself open to this charge by reciting the long list of costly robes and gifts of all kinds and necklaces and garlands that were sent by the