One of the distinguishing peculiarities of Binning is his rejection of the endless divisions and subdivisions which, along with their subtle distinctions, were borrowed from the schoolmen, and which disfigured and incumbered the sermons of that age. In Scotland, as well as in England, before his time, sermons were formed as Dr. Watts expresses it, “upon the model of doctrine, reason, and use.”(50) Those sermons often contained much excellent theology, which was faithfully and aptly applied to the heart and life. But the numerous parts into which they were divided, must have marred their effect, and operated as a restraint upon the eloquence of the preacher. This was plainly the opinion of Binning. “Paul speaks,” says he, “of a right dividing of the word of truth, (2 Tim ii. 15) not that ordinary way of cutting it all in parcels, and dismembering it, by manifold divisions, which I judge makes it lose much of its virtue, which consists in union. Though some have pleasure in it, and think it profitable, yet I do not see that this was the apostolic way.”(51) Binning, accordingly, had the courage and the good taste to adopt in conjunction with Leighton, a more simple and natural manner of preaching. After a building was completed, he did not think it added either to its beauty or convenience, to retain the scaffolding. For this, he was censured at the time, by Robert Baillie. But whoever will read the sermon of that learned divine, entitled “Errors and Induration,” which was preached by him in Westminster Abbey, in the month of July, 1645, will not be astonished to find, that Baillie disapproved of a mode of preaching, which was so completely at variance with his own. “He has the new guise of preaching,” said Baillie, speaking of Mr. Andrew Gray, who was the son of Sir James Gray, and one of the ministers of the High Church of Glasgow, “which Mr. Hugh Binning and Mr. Robert Leighton began, [not] containing the ordinary way of expounding and dividing a text, of raising doctrines and uses, but runs out on a discourse on some common head, in a high, romancing, and unscriptural style, tickling the ear for the present, and moving the affections in some, but leaving, as he confesses, little or nought to the memory and understanding. This we must misken, for we cannot help it.”(52)