The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
In the meantime the Humanes, and the Samaritans, and the
Benevolents, and the rest of the mob, did not stand and look on
quite as mum as if it had been an overbrimming Quaker’s meeting,
with a collection afterwards at the door for the Deaf and Dumb.
They chuckled, and crowed, and laughed till they brayed again;
and roared, and bellowed, and shouted, and shrieked like hyænas
in hysterics. “Huzza! huzzaw! Go it, Jack! That’s your sort
encore--ancore--anker--ancoore,--bravo--brawvo--bravoo--brawvoo!
Well done Tony--Tony for ever--Tony for my money!--keep it up! It’s
better than dancing upon nothing.” If Laporte had been there, who
knows what offer he might have made them; for Taglioni herself never
danced so--that is to say, gratis, and without music. On they jigged,
however, without let or stint, and may I hang my hat up for ever, if
the same whim did not suddenly take the marshal, janitor, or head
gaoler, however unfit for dancing, seeing that one of his legs was
made of the same flesh as my oak table. Timber or not, he balanced on
it for a whole minute, while the other foot’s great toe, far above his
hip, pointed exactly at the clock of St. Sepulchre, and then swinging
his arms like a horizontal windmill, he spun off into a whirlwind of
pirouettes that made one giddy to look at. That done, he struck in
between the other two with a real step, and they immediately began to
work out a dancing sum in the rule of three, which requires only one
figure, namely, a figure of eight. Scuffle, shuffle, in and out, the
three Kirk Alloway witches could not have footed it better. In fact,
there was no resisting it. The whim took the very Ordinary himself,
though less boisterously at first, by reason of the gravity of his
calling, wherefore, taking a graceful grip with either hand of his
cassock, he only glided off, to begin with, into the minuet de la
cour. However, as the dancing grew more fast and furious, he gradually
danced, in spite of himself, having been classically bred, into the
College Hornpipe, and I defy anyone to say they ever saw it better
danced, or more briskly, by the very Doctors of Oxford and Cambridge.
Mother of Almack’s, what a quadrille! What a ball! The three Fates,
though winders of thread, and spinsters in ordinary, had never seen
such a Cotton ball! It was the strangest capriccio, the rarest mad
morrice that ever was danced; one minute a mazurka, then a polonaise,
then a gallopade, then a fandango, then a bolero, then a saraband,
then a guaracha, then a Highland fling! Sometimes the Strangulator, by
help of the halter which he waved this way and that, seemed executing
the shawl dance; anon, he doubled shuffled like Dusty Bob. One minute
Tony appeared as measuring his steps with a duchess dowager of the time
of Louis the Fourteenth; the next he was snapping his fingers with
Maggie Lauder to the tune of Tullochgorum. You fancied one minute, that
the Ordinary was dancing a pas seul, to the music of Haydn’s slow
Public-domain text, read in full here on John Shaqi.
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