The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
General
The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
there is no saying on oath whether the other rope might have been used
to this day. Seeing, therefore, how matters stood, Master Strangulator
pushed in, with an elbowing manner, and began begging pardon of Tony
for the part he was about to perform, who forgave him very readily,
requesting him moreover to shake hands, and by Gog and Magog, such a
shake was never shaked since the Shakers became a sect!
At the first grapple of their fingers, the Strangulator pulled away his
hand with a jerk, as if a bear’s palm had been palmed upon him instead
of a human paw. Then, after making a frightful face, he gave a mighty
great spring or vault upwards, a deal higher than the gallows, when,
on coming down, he alighted with his legs a-straddle upon the beam,
where he kept posturing for some five minutes; now rowing with his
arms and legs, like a fish, now hanging with his head downwards, first
by one leg and then by the other, then by one hand, and then again
by his chin; you never saw a rope-dancer or tumbler of them all, at
Bartlemy’s or Astley’s, more nimble. Then coming down to the stage with
a bound, he threw three summersets forward, and then three backwards,
as quick as thought. Anon, after standing for a minute in the first
position, he fell a-dancing with all his might and main, and as fast
as he could lift his feet, like a bear upon a hotted floor. Never was
such a spring danced round about the gallows-tree; Gilderoy was a fool
to him. You may guess how the Lord Mayor and Sheriffs, and the Ordinary
and Extraordinary, stared at such a caper, till their eyes grew as big
as owls’; and still more when they saw Tony, after making a round O
of his mouth, fall to bouncing and bounding like another Oscar Byrne!
Shade of Holbein, what a Dance of Death! Only think of Jack Ketch and
the condemned dancing face to face on the drop, now poussetting, now
setting to each other, now allemanding, now waltzing, and then, Father
of Vestris, what a tableau! Tony figuring, opera-fashion, on one leg,
with Cheshire poising on tip-toe on the calf of the other! As for his
whim, it was jerked out of the box at the first frisk, and had enough
to do, you may be sure, to scuttle out of the way of the skipping and
hopping; as it was, the poor reptile got more kicks than ha’pence.
Public-domain text, read in full here on John Shaqi.
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