The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
“Next thing a lancer, with his lance,
Began to thrust away;
I call’d for quarter, but, alas!
It was not Quarter-day.
“He ran his spear right through my arm,
Just here above the joint:--
O Patty dear, it was no joke,
Although it had a point.
“With loss of blood I fainted off,
As dead as women do--
But soon by charging over me,
The _Coldstream_ brought me to.
“With kicks and cuts, and balls and blows,
I throb and ache all over;
I’m quite convinc’d the field of Mars
Is not a field of clover!
“O why did I a soldier turn
For any royal Guelph?
I might have been a butcher, and
In business for myself!
“O why did I the bounty take
(And here he gasp’d for breath).
My shillingsworth of ’list is nail’d
Upon the door of death!
“Without a coffin I shall lie
And sleep my sleep eternal:
Not e’en a _shell_--my only chance
Of being made a _Kernel_!
“O Patty dear, our wedding bells
Will never ring at Chester!
Here I must lie in Honour’s bed,
That isn’t worth a _tester_!
“Farewell, my regimental mates,
With whom I used to dress!
My corps is changed, and I am now
In quite another mess.
“Farewell, my Patty dear, I have
No dying consolations,
Except when I am dead, you’ll go
And see th’ illuminations.”
[Illustration: FANCY PORTRAIT:--MR. HOBLER.]
MILLER REDIVIVUS.
“He is become already a very promising miller.”--_Bell’s Life in
London._
I was walking very leisurely one evening down Cripplegate, when I
overtook--who could help overtaking him?--a lame elderly gentleman,
who, by the nature of his gait, appeared to represent the Ward. Like
certain lots at auctions, he seemed always going, but never gone: it
was that kind of march that, from its slowness, is emphatically called
halting. Gout, in fact, had got him into a sad hobble, and, like
terror, made his flesh creep.
There was, notwithstanding, a lurking humorousness in his face, in
spite of pace, that reminded you of Quick or Liston in _Old Rapid_.
You saw that he was not slow, at least, at a quirk or quip,--not
backward at repartee,--not behind-hand with his jest, in short, that he
was a great wit though he could not jump.
There was something, besides, in his physiognomy, as well as his dress
and figure, that strongly indicated his locality. He was palpably a
dweller, if not a native, of that clime distinguished equally by “the
rage of the vulture and the love of the turtle,”--the good old City of
London. But an accident soon confirmed my surmises.
Public-domain text, read in full here on John Shaqi.
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