The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
Alas! it will not go down. I am too much out of sorts for even the
“delicate Ariel.” It was one thing for Shakspeare, sailing, hugging
the shore, never out of sight of land, on the safe serene coasts of
Bohemia, to compose such a sea song for the wood and canvas Tempests of
the stage; but it is another guess thing to hear it, as I do, howled
through hoarse ship-ropes, by Boreas himself, in a real storm. What
comfort to me that everything about me shall suffer a sea-change?--that
my bones shall turn, forsooth, into coral? I would not give a bad
doit, with some of these poor metacarpal bones of mine to be rubbing
the gums of the Royal Infant of Spain. I am not so blindly ambitious
as to wish that these two precious useful balls of mine, turned into
pearls, should shine in the British crown itself, or, what is more
tempting, in the hair of the beautiful Countess of B. What if some
economical jeweller--I think I feel him at it--should take it into his
head to split them, for setting in a ring? As for the Syren’s knell,
I would as lief have it as long hereafter as may be, from the plain
prosaic old sexton of St. Sepulchre’s. I have no depraved yearning
to be first wet-nursed to death, and then “lapped in Elysium,” by
Mermaids, the most cold, flabby, washy, fishy, draggletails ever
invented to give any human fancy the ague--half-and-half monsters,
neither fish, nor flesh, nor good red herring. A whole cargo of them,
nay a glut of them, leaping alive, unfit for loving or eating, is not
worth one loveable real woman at Billingsgate, or one of the eatable
maids on her stall. I could never imagine the boldest and gallantest
boatswain encountering such a sea-witch, on a lone beach--combing the
shrimps out of her wet sandy mud-coloured hair, and wriggling her
foolish tail about, curling, or stretching it, or trying to put it into
her pocket, forgetting that she has no pockets, as a shy man in company
does not know what to do with his hands--I could never fancy him
looking on such a creature, however attached to the fair sex, without
his recoiling till he tumbled over his own pigtail, singing out, with a
slight variation of a line of Dibdin’s,
“Avert yon ’oman, gracious Heaven!”
For other sea-temptations, I would not give my old white pony, that
stumbles over every stone in his road, and some out of it, to ride
like that Lord Godolphin Arion over the seas on the fairest fish that
was ever foaled. Speaking under fear of death, I would rather, waving
all the romance, ride in a rill by a roadside on a stickle-back. On
my solemn word, I would far liefer bestride even a pond perch with
his dorsal fin erect. But hark! What means that dreadful cry? Our
death-bell is tolling in Dutch--“Del, del, is verlooren!”
I must scramble, crawl, haul myself, spite of my sprained ankles, up
unto the deck how I may. Next best unto witnessing our own funeral is
the seeing how we are done to death.
Public-domain text, read in full here on John Shaqi.
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