The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
a discussion on the value of the promissory notes issued by our younger
poets, wherein Wordsworth named Shelley, and Lamb took John Keats for
choice, there was nothing of literary interest brought upon the carpet.
But a book man cannot always be bookish. A poet, even a Rydal one,
must be glad at times to descend from Saddleback, and feel his legs.
He cannot, like the Girl in the Fairy Tale, be always talking diamonds
and pearls. It is a “Vulgar Errour” to suppose that an author must
be always authoring, even with his feet on the fender. Nevertheless,
it is not an uncommon impression, that a writer sonnetises his wife,
sings odes to his children, talks essays and epigrams to his friends,
and reviews his servants. It was in something of this spirit that an
official gentleman to whom I mentioned the pleasant literary meetings
at Lamb’s, associated them instantly with his parochial mutual
instruction evening schools, and remarked, “Yes, yes, all very proper
and praiseworthy--of course, you go there _to improve your minds_.”
And very pleasant and improving, though not of set purpose, to both
mind and heart, were those extempore assemblies at Colebrooke Cottage.
It was wholesome for the soul but to breathe its atmosphere. It was
a House of Call for All Denominations. _Sides_ were lost in that
_circle_, Men of all parties postponed their partisanship, and met
as on a neutral ground. There were but two persons, whom L. avowedly
did not wish to encounter beneath his roof, and those two, merely on
account of private and family differences. For the rest, they left all
their hostilities at the door, with their sticks. This forbearance was
due to the truly tolerant spirit of the Host, which influenced all
within its sphere. Lamb, whilst he willingly lent a crutch to halting
Humility, took delight in tripping up the stilts of Pretension. Anybody
might trot out his Hobby; but he allowed nobody to ride the High Horse.
If it was a High German, one like those ridden by the Devil and Doctor
Faustus, he would chaunt
“Gëuty Gëuty
Is a great Beauty,”
till the rider moderated his gallop. He hated anything like
Cock-of-the-Walk-ism; and set his face and his wit against all
Ultraism, Transcendentalism, Sentimentalism, Conventional Mannerism,
and above all, Separatism. In opposition to the Exclusives, he was
emphatically an Inclusive.
Public-domain text, read in full here on John Shaqi.
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