The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
The hesitation in the speech, and the readiness of the illusion,
were alike characteristic of the individual, whom his familiars will
perchance have recognised already as the delightful Essayist, the
capital Critic, the pleasant Wit and Humorist, the delicate-minded and
large-hearted Charles Lamb! He was shy like myself with strangers,
so that, despite my yearnings, our first meeting scarcely amounted
to an introduction. We were both at dinner, amongst the hare’s many
friends, but our acquaintance got no farther, in spite of a desperate
attempt on my part to attract his notice. His complaint of the Decay
of Beggars presented another chance: I wrote on coarse paper, and
in ragged English, a letter of thanks to him as if from one of his
mendicant clients, but it produced no effect. I had given up all hope,
when one night, sitting sick and sad, in my bed-room, racked with the
rheumatism, the door was suddenly opened, the well-known quaint figure
in black walked in without any formality, and with a cheerful “Well,
boy, how are you?” and the bland sweet smile, extended the two fingers.
They were eagerly clutched of course, and from that hour we were firm
friends.
Thus characteristically commenced my intimacy with C. Lamb. He had
recently become my neighbour, and in a few days called again, to
ask me to tea, “to meet Wordsworth.” In spite of any idle jests to
the contrary, the name had a spell in it that drew me to Colebrooke
Cottage[7] with more alacrity[8] than consisted with prudence, stiff
joints and a North wind. But I was willing to run, at least hobble,
some risk, to be of a party in a parlour with the Author of Laodamia
and Hartleap Well. As for his Betty Foy-bles, he is not the first
man by many, who has met with a _simple_ fracture through riding his
theory-hack so far and so fast, that it broke down with him. If he has
now and then put on a nightcap, so have his own next-door mountains.
If he has babbled, sometimes, like an infant of _two_ years old, he
has also thought, and felt, and spoken, the beautiful fancies and
tender affections, and artless language, of the children who can say
“We are _seven_.” Along with food for babes, he has furnished strong
meat for men. So I put on my great coat and in a few minutes found
myself, for the first time at a door, that opened to me as frankly as
its master’s heart; for, without any preliminaries of hall, passage,
or parlour, one single step across the threshold brought me into the
sitting-room, and in sight of the domestic hearth. The room looked
brown with “old bokes,” and beside the fire sate Wordsworth, and his
sister, the hospitable Elia, and the excellent Bridget. As for the bard
of Rydal, his outward man did not, perhaps, disappoint one; but the
_palaver_, as the Indians say, fell short of my anticipations. Perhaps
my memory is in fault; ’twas many years ago, and, unlike the biographer
of Johnson, I have never made Bozziness my business. However, excepting
Public-domain text, read in full here on John Shaqi.
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