The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
On the right hand then of the Editor sits Elia, of the pleasant smile,
and the quick eyes--Procter said of them that “they looked as if they
could pick up pins and needles”--and a wit as quick as his eyes, and
sure, as Hazlitt described, to stammer out the best pun and the best
remark in the course of the evening. Next to him, shining verdantly out
from the grave-coloured suits of the literati, like a patch of turnips
amidst stubble and fallow, behold our Jack i’ the Green--John Clare!
In his bright, grass-coloured coat, and yellow waistcoat (there are
greenish stalks too, under the table), he looks a very Cowslip, and
blooms amongst us as Goldsmith must have done in his peach-blossom.
No wonder the door-keeper of the Soho Bazaar, seeing that _very
countrified_ suit, linked arm-in-arm with the Editorial sables, made a
boggle at admitting them into his repository, having seen, perchance,
such a made-up Peasant “playing at playing” at thimble-rig about the
Square. No wonder the gentleman’s gentleman, in the drab-coat and
sealing-wax smalls, at W---- ’s, was for cutting off our Green Man,
who was modestly the last in ascending the stairs as an interloper,
though he made amends afterwards by waiting almost exclusively on the
Peasant, perfectly convinced that he was some eccentric Notable of the
Corinthian order, disguised in Rustic. Little wonder either, that in
wending homewards on the same occasion through the Strand, the Peasant
and Elia, _Sylvanus et Urban_, linked comfortably together; there arose
the frequent cry of “Look at Tom and Jerry--there goes Tom and Jerry!”
for truly, Clare in his square-cut green coat, and Lamb in his black,
were not a little suggestive of Hawthorn and Logic, in the plates to
“Life in London.”
But to return to the table. Elia--much more of House Lamb than of
Grass Lamb--avowedly caring little or nothing for Pastoral; cottons,
nevertheless, very kindly to the Northamptonshire Poet, and still
more to his ale, pledging him again and again as “Clarissimus,”
and “Princely Clare,” and sometimes so lustily, as to make the
latter cast an anxious glance into his tankard. By his bright happy
look, the Helpstone Visitor is inwardly contrasting the unlettered
country company of Clod, and Hodge and Podge, with the delights of
“London” society Elia, and Barry, and Herbert, and Mr. Table Talk,
_cum multis_--_aliis_--i.e. a multiplicity of all. But besides the
tankard, the two “drouthie neebors” discuss Poetry in general[10], and
Montgomery’s “Common Lot” in particular, Lamb insisting on the beauty
of the tangental sharp turn at “O! she was fair!” thinking, mayhap, of
his own Alice W----, and Clare swearing “Dal” (a clarified d--n) “Dal!
if it isn’t like a Dead Man preaching out of his coffin!” Anon, the
Humorist begins to banter the Peasant on certain “Clare-obscurities” in
his own verses, originating in a contempt for the rules of Priscian,
whereupon the accused, thinking with Burns,
Public-domain text, read in full here on John Shaqi.
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