The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
“What ser’es their grammars?
They’d better ta’en up spades and shools,
Or knappin hammers,”
vehemently denounces all Philology as nothing but a sort of man-trap
for authors, and heartily dals Lindley Murray for “inventing it!”
It must have been at such a time, that Hilton _conceived_ his clever
portrait of C----, when he was “C in alt.” He was hardy, rough, and
clumsy enough to look truly rustic--like an Ingram’s rustic chair.
There was a slightness about his frame, with a delicacy of features
and complexion, that associated him more with the Garden than with the
Field, and made him look the Peasant of a Ferme Ornée. In this respect
he was as much beneath the genuine stalwart bronzed Plough-Poet,
Burns, as above the Farmer’s Boy, whom I remember to have seen in my
childhood, when he lived in a miniature house, near the Shepherd and
Shepherdess, now the Eagle tavern, in the City Road, and manufactured
Æolian harps, and kept ducks. The Suffolk Giles had very little of
the agricultural in his appearance; he looked infinitely more like a
handicraftsman, _town-made_.
Poor Clare!--It would greatly please me to hear that he was happy and
well, and thriving; but the transplanting of Peasants and Farmers’ Boys
from the natural into an artificial soil, does not always conduce to
their happiness, or health, or ultimate well doing. I trust the true
Friends, who, with a natural hankering after poetry, because it is
forbidden them, have ventured to pluck and eat of the pastoral sorts,
as most dallying with the innocence of nature,--and who on that account
patronised Capel Lofft’s protégé--I do trust and hope they took off
whole editions of the Northamptonshire Bard. There was much about Clare
for a Quaker to like; he was tender-hearted, and averse to violence.
How he recoiled once, bodily-taking his chair along with him,--from a
young surgeon, or surgeon’s friend, who let drop, somewhat abruptly,
that he was just come “from seeing a child skinned!”--Clare, from his
look of horror, evidently thought that the poor infant, like Marsyas,
had been flayed _alive_! He was both gentle and simple. I have heard
that on his first visit to London, his publishers considerately sent
their porter to meet him at the inn; but when Thomas necessarily
inquired of the gentleman in green, “Are you Mr. Clare?” the latter,
willing to foil the traditionary tricks of London sharpers, replied to
the suspicious query with “a positive negative.”[11]
Public-domain text, read in full here on John Shaqi.
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