The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
General
The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
Procter,--alias Barry Cornwall, formerly of the Marcian Colonnade, now
of some prosaical Inn of Court--the kindly Procter, one of the foremost
to welcome me into the Brotherhood, with a too-flattering Dedication
(another instance against the jealousy of authors), is my own left-hand
file. But what he says shall be kept as strictly confidential; for he
is whispering it into my Martineau ear. On my other side, when I turn
that way, I see a profile, a shadow of which ever confronts me on
opening my writing-desk,--a sketch taken from memory, the day after
seeing the original[14]. In opposition to the “extra man’s size” of
Cunningham, the party in question looks almost boyish, partly from
being in bulk somewhat beneath Monsieur Quetelet’s “Average Man,” but
still more so from a peculiar delicacy of complexion and smallness of
features, which look all the smaller from his wearing, in compliment,
probably, to the _Samsons_ of Teutonic Literature, his locks unshorn.
Nevertheless whoever looks again,
Sees more than marks the crowd of common men.
There is speculation in the eyes, a curl of the lip, and a general
character in the outline, that reminds one of some portraits of
Voltaire. And a Philosopher he is every inch. He looks, thinks,
writes, talks and walks, eats and drinks, and no doubt sleeps
philosophically--_i.e._ deliberately. There is nothing abrupt
about his motions,--he goes and comes calmly and quietly--like the
phantom in Hamlet, he is here--he is there--he is gone! So it is
with his discourse. He speaks slowly, clearly, and with very marked
emphasis--the tide of talk flows like Denham’s river, “strong without
rage, without overflowing, full.” When it was my frequent and agreeable
duty to call on Mr. De Quincey (being an uncommon name to remember,
the servant associated it, on the Memoria Technica principle, with a
sore throat and always pronounced it Quinsy), and I have found him at
home, quite at home, in the midst of a German Ocean of _Literature_, in
a storm,--flooding all the floor, the table and the chairs,--billows
of books tossing, tumbling, surging open,--on such occasions I have
willingly listened by the hour whilst the Philosopher, standing, with
his eyes fixed on one side of the room, seemed to be less speaking
than reading from a “handwriting on the wall.” Now and then he would
diverge, for a Scotch mile or two, to the right or left, till I was
tempted to inquire with Peregrine in John Bull (Colman’s not Hook’s),
“Do you never deviate?”--but he always came safely back to the point
where he had left, not lost the scent, and thence hunted his topic to
the end. But look!--we are in the small hours, and a change comes o’er
the spirit of that “old familiar face.” A faint hectic tint leaves
the cheek, the eyes are a degree dimmer, and each is surrounded by
a growing shadow--signs of the waning influence of that Potent Drug
whose stupendous Pleasures and enormous Pains have been so eloquently
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account