The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
The Brobdignagian next to Clare, overtopping him by the whole head and
shoulders--a physical “Colossus of Literature,” the grenadier of our
corps--is Allan, not Allan Ramsay, “no, nor Barbara Allan neither,”
but Allan Cunningham,--“a credit,” quoth Sir Walter Scott (he might
have said a long credit) “to Caledonia.” He is often called “honest
Allan,” to distinguish him, perhaps, from one Allan-a-Dale, who was
apt to mistake his neighbours’ goods for his own--sometimes, between
ourselves, yelept the “C. of Solway,” in allusion to that favourite
“Allan Water,” the Solway Sea. There is something of the true moody
poetical weather observable in the barometer of his face, alternating
from Variable to Showery, from Stormy to Set Fair. At times he looks
gloomy and earnest and traditional--a little like a Covenanter--but he
suddenly clears up and laughs a hearty laugh that lifts him an inch or
two from his chair, for he rises at a joke when he sees one, like a
trout at a fly, and finishes with a smart rubbing of his ample palms.
He has store, too, of broad Scotch stories, and shrewd sayings; and
he writes--no, he wrote rare old-new or new-old ballads. Why not now?
Has his Pegasus, as he once related of his pony, run from under him?
Has the Mermaid of Galloway left no little ones? Is Bonnie Lady Ann
married, or May Morison dead? Thou vast formed for a poet, Allan, by
nature, and by stature too, according to Pope--
“To snatch a grace _beyond the reach_ of Art.”
And are there not Longman, or Tallboys, for thy Publishers? But alas!
we are fallen on evil days for Bards and Barding, and nine tailors
do more for a man than the Nine Muses. The only Lay likely to answer
now-a-days would be an Ode (with the proper testimonials) to the
Literary Fund!
The Reverend personage on the Editor’s right, with the studious brow,
deep-set eyes, and bald crown, is the mild and modest Cary--the same
who turned Dante into Miltonic English blank verse. He is sending
his plate towards the partridges, which he will relish and digest as
though they were the Birds of Aristophanes. He has his eye, too, on
the French made-dishes[12]. Pity, shame and pity, such a Translator
found no better translation in the Church! Is it possible that, in some
no-popery panic, it was thought by merely being Dragoman to Purgatory
he had _Romed_ from the true faith?
A very pleasant day we “Londoners” once spent at a Chiswick parsonage,
formerly tenanted by Hogarth, along with the hospitable Cary, and, as
Elia called them, his Caryatides![13] The last time my eyes rested on
the Interpreter (of the House Beautiful as well as of the Inferno), he
was on the Library steps of the British Museum. Ere this, I trust he
hath reached the tiptop--nay, hath perhaps attained, being a Literary
Worthy, even unto a Trusteeship, and had to buy, at Ellis’s, a few
yards of the Blue Ribbon of Literature!
Public-domain text, read in full here on John Shaqi.
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