The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
How many of such pleasant reminiscences revive in my memory, whilst
thinking of him, like secret writing brought out by the kindly warmth
of the fire! But they must be deferred to leave me time and space
for other attributes--for example, his charity, in its widest sense,
the moderation in judgment which, as Miller says, is “the Silken
String running through the Pearl Chain of all Virtues.” If he was
intolerant of anything, it was of Intolerance. He would have been (if
the foundation had existed, save in the fiction of Rabelais,) of the
Utopian order of Thelemites, where each man under scriptural warrant
did what seemed good in his own eyes. He hated evil speaking, carping,
and petty scandal. On one occasion having slipped out an anecdote,
to the discredit of a literary man, during a very confidential
conversation, the next moment, with an expression of remorse, for
having impaired even my opinion of the party, he bound me solemnly to
bury the story in my own bosom. In another case he characteristically
rebuked the backbiting spirit of a censorious neighbour. Some Mrs.
Candour telling him, in expectation of an ill-natured comment, that
Miss ***, the teacher at the Ladies’ School, had married a publican,
“Has she so?” said Lamb, “then I’ll have my beer there!”
As to his liberality in a pecuniary sense, he passed (says Lamb of
Elia) with some people, through having a settled but moderate income,
for a great miser. And in truth he knew the value of money, its power,
its usefulness. One January night he told me with great glee that
at the end of the late year he had been able to lay by--and thence
proceeded to read me a serio-comic lecture on the text, of “Keep
your hand out of your Pocket.” The truth is, Lamb, like Shakspeare
in the universality of his sympathies, could feel, pro tempore, what
belonged to the character of a Gripe-all. The reader will remember his
capital Note in the “Dramatic Specimens,” on “the decline of Misers,
in consequence of the _Platonic_ nature of an affection for Money,”
since Money was represented by “_flimsies_,” instead of substantial
coin, the good old solid sonorous dollars and doubloons, and pieces
of eight, that might be handled, and hugged, and rattled, and perhaps
kissed. But to this passion for hoarding he one day attributed a new
origin. “A Miser,” he said, “is sometimes a grand personification of
Fear. He has a fine horror of Poverty. And he is not content to keep
Want from the door, or at arm’s length,--but he places it, by heaping
wealth upon wealth, _at a sublime distance_!” Such was his theory: now
for his practice. Amongst his other guests, you occasionally saw an
elderly lady, formal, fair, and flaxen-wigged, looking remarkably like
an animated wax doll,--and she did visit some friends or relations,
at a toyshop near St. Dunstan’s. When she spoke, it was as if by an
artificial apparatus, through some defect in her palate, and she had a
Public-domain text, read in full here on John Shaqi.
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