The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
[6] There was a dash of ink in my blood. My father wrote two novels,
and my brother was decidedly of a literary turn, to the great
disquietude for a time of an anxious parent. She suspected him,
on the strength of several amatory poems of a very desponding
cast, of being the victim of a hopeless attachment; so he was
caught, closeted, and catechised, and after a deal of delicate
and tender sounding, he confessed, not with the anticipated
sighs and tears, but a very unexpected burst of laughter, that
he had been guilty of translating some fragments of Petrarch.
[7] A cottage of Ungentility, for it had neither double coach-house
nor wings. Like its tenant, it stood alone. He said, glancing at
the Paternoster one, that he did not like “the Row.” There was
a bit of a garden, in which, being, as he professed, “more fond
of Men Sects than of Insects,” he made probably his first and
last observation in Entomology. He had been watching a spider
on a gooseberry bush, entrapping a fly. “Good God,” he said, “I
never saw such a thing! Directly he was caught, in her fatal
spinning, she darted down upon him, and in a minute turned him
out, completely lapped in a shroud! It reminded me of the Fatal
Sisters in Gray.”
[8] A sort of rheumatic celerity, of which Sir W. Scott’s favourite
dramatiser seemed to have a very accurate notion. Those who
remember “poor Terry’s” deliberate delivery, will be able to
account, for the shout of laughter which once rang throughout
the Adelphi green-room, at his emphatic manner of giving,
from a manuscript-play, the stage direction of “Enter----,
with--a--lack--ri--ty!”
[9] As regards his Unitarianism, it strikes me as more probable
that he was what the unco guid people call “Nothing at all.”
which means that he was every thing but a Bigot. As he was in
spirit an Old Author, so was he in faith an Ancient Christian,
too ancient to belong to any of the modern sub-hubbub-divisions
of--Ists,--Arians, and--Inians.
[10] Talking of Poetry, Lamb told me one day that he had just met
with the most vigorous line he had ever read. “Where?” “Out of
the Camden’s Head, all in one line--
“To _One Hundred Pots of Porter_ £2 1 8”
[11] Somebody happened to say that the Peasant ought to figure in
the Percy Anecdotes, as an example of uncultivated genius. “And
where will they stick me?” asked Clare, “will they stick me in
the instinct?”
[12] I once cut out from a country newspaper what seemed to me a very
good old English poem. It proved to be a _naturalization_, by
Cary, of a French Song to April, by Remy Belleau.
[13] The father expressing an uncertainty to what profession he
should devote a younger Cary, Lamb said, “Make him an
Apothe-Cary.”
Public-domain text, read in full here on John Shaqi.
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