The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
[14] Unable to make any thing “like a likeness” of a sitter for the
purpose, I have a sort of Irish faculty for taking faces behind
their backs. But my pencil has not been guilty of half the
personalities attributed to it; amongst others “a formidable
likeness of a Lombard Street Banker.” Besides that one would
rather draw on a Banker than at him, I have never seen the
Gentleman alluded to, or even a portrait of him in my life.
[15] On a visit to Norfolk, I was much surprised to find that Opium,
or Opie, as it was vulgarly called, was quite in common use in
the form of pills amongst the lower classes, _in the vicinity
of the Fens_. It is not probable that persons in such a rank
of life had read the Confessions,--or, might not one suspect
that as Dennis Brulgruddery was driven to drink by the stale,
flat and unprofitable prospects of Muckslush Heath, so the
Fen-People in the dreary foggy cloggy boggy wastes of Cambridge
and Lincolnshire, had flown to the Drug for the sake of the
magnificent _scenery_ that filled the splendid visions of its
Historian?
[Illustration: A LEADING ARTICLE.]
THE CARNABY CORRESPONDENCE.
THERE is no estimate more ludicrous than that which is formed by
unthinking persons of the powers of Authors. Thus when a gentleman
has once written a Book, say, on Domestic Medicine, it is popularly
supposed that he is competent to compose a work on any subject
whatever, from Transcendental Philosophy down to Five Minutes’ Advice
on the Teeth. Something of the kind is observable in the Autobiography
of Brasbridge, the Silversmith, of Fleet Street, who tells us that
after the publication of his Memoirs, he was hailed by a fellow-citizen
with “So you have written a book!--why, for the future I shall call you
Shakspeare!” as if the recorder of a set of “fiddle-headed” anecdotes
became, ipso facto, on a par with the creator of Othello. For another
instance I can refer to my own humble experience. The anti-antiquarian
nature of my literary researches is sufficiently well known; yet it
did not prevent a grave retrospective-looking gentleman from one day
concluding an account of some inedited architectural remains near
Whitehall, with--“I wonder now that _you_, as a writer, have never
taken up the subject!” The worthy F.A.S. might as well have suggested
a plot for a Farce to Sylvanus Urban;--but such is the general
opinion of the universality of a genius that prints. Bearing this
tendency in mind, it will not seem so extraordinary that the following
correspondence should be placed in the hands of the Editor of the Comic
Annual by a respectable tradesman, who affirmed with tears in his eyes,
that “it was a grave subject, worthy of the serious consideration of
the Public.”
[Illustration: THERE’S A DEFICIENCY ON THE QUARTER.]
No. I.--_To Mister_ BENJAMIN CARNABY, _7, Brigantine Row,
Deptford, London. (With Spead.)_
Public-domain text, read in full here on John Shaqi.
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