The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
My first concern was now to look out for some comfortable roof, under
which “for a consideration” one would be treated as one of the family.
I entered accordingly into a treaty with a respectable widower, who had
no sons of his own, but in spite of the most undeniable references, and
a general accordance as to terms, there occurred a mysterious hitch in
the arrangement, arising from a whimsical prepossession which only came
afterwards to my knowledge--namely, that an English laddie, instead
of supping parritch, would inevitably require a rump-steak to his
breakfeast! My next essay was more successful; and ended in my being
regularly installed in a boarding-house, kept by a Scotchwoman, who was
not so sure of my being a beefeater. She was a sort of widow, with a
seafaring husband “as good as dead,” and in her appearance not unlike a
personification of _rouge et noir_, with her red eyes, her red face,
her yellow teeth, and her black velvet cap. The first day of my term
happened to be also the first day of the new year, and on stepping from
my bed-room, I encountered our Hostess--like a witch and her familiar
spirit--with a huge bottle of whiskey in one hand, and a glass in the
other. It was impossible to decline the dram she pressed upon me, and
very good it proved, and undoubtedly strong, seeing that for some time
I could only muse its praise in expressive silence, and indeed, I was
only able to speak with “a _small still_ voice” for several minutes
afterwards. Such was my characteristic introduction to the Land of
Cakes, where I was destined to spend the greater part of two years,
under circumstances likely to materially influence the colouring and
filling up of my future life.
Public-domain text, read in full here on John Shaqi.
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