The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
To properly estimate the dangers of my position, imagine a boy of
fifteen, at the Nore, as it were, of life, thus left dependent on
his own pilotage for a safe voyage to the Isle of Man; or conceive
a juvenile Telemachus, without a Mentor, brought suddenly into the
perilous neighbourhood of Calypso and her enchantments. It will hardly
be expected, that from some half-dozen of young bachelors, there came
forth any solemn voice didactically warning me in the strain of the
sage Imlac to the Prince of Abyssinia. In fact, I recollect receiving
but one solitary serious admonition, and that was from a she cousin of
ten years old, that the Spectator I was reading on a Sunday morning,
“was no the Bible.” For there was still much of this pious rigour
extant in Scotland, though a gentleman was no longer committed to
Tolboothia Infelix, for an unseasonable promenade during church time.
It was once, however, my fortune to witness a sample of the _ancien
régime_ at an evening party composed chiefly of young and rather
fashionable persons, when lo! like an Anachronism confounding times
past with times present, there came out of some corner an antique
figure, with quaintly cut blue suit and three-cornered hat, not unlike
a very old Greenwich Pensioner, who taking his stand in front of the
circle, deliberately asked a blessing of formidable length on the thin
bread and butter, the short cake, the marmalade, and the Pekoe tea. And
here, _en passant_, it may be worth while to remark, for the benefit of
our Agnews and Plumtres, as illustrating the intrinsic value of such
sanctimonious pretension, that the elder Scotland, so renowned for
armlong graces, and redundant preachments, and abundant psalm-singing,
has yet bequeathed to posterity a singularly liberal collection of
songs, the reverie of Divine and Moral, such as “can only be sung when
the punch-bowl has done its work and the wild wit is set free[3].”
Public-domain text, read in full here on John Shaqi.
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