The World as Will and Idea (Vol. 2 of 3)Schopenhauer, Arthur
Philosophy
The World as Will and Idea (Vol. 2 of 3)
Schopenhauer, Arthur
Idea (Philosophy); Knowledge, Theory of; Philosophy; Will
If we consider that an angle requires two lines meeting so that if they
are produced they will intersect each other; on the other hand, that the
tangent of a circle only touches it at one point, but at this point is
really parallel to it; and accordingly have present to our minds the
abstract conviction of the impossibility of an angle between the
circumference of a circle and its tangent; and if now such an angle lies
visibly before us upon paper, this will easily excite a smile. The
ludicrousness in this case is exceedingly weak; but yet the source of it
in the incongruity of what is thought and perceived appears in it with
exceptional distinctness. When we discover such an incongruity, the
occasion for laughter that thereby arises is, according as we pass from
the real, _i.e._, the perceptible, to the conception, or conversely from
the conception to the real, either a witticism or an absurdity, which in a
higher degree, and especially in the practical sphere, is folly, as was
explained in the text. Now to consider examples of the first case, thus of
wit, we shall first of all take the familiar anecdote of the Gascon at
whom the king laughed when he saw him in light summer clothing in the
depth of winter, and who thereupon said to the king: “If your Majesty had
put on what I have, you would find it very warm;” and on being asked what
he had put on, replied: “My whole wardrobe!” Under this last conception we
have to think both the unlimited wardrobe of a king and the single summer
coat of a poor devil, the sight of which upon his freezing body shows its
great incongruity with the conception. The audience in a theatre in Paris
once called for the “Marseillaise” to be played, and as this was not done,
began shrieking and howling, so that at last a commissary of police in
uniform came upon the stage and explained that it was not allowed that
anything should be given in the theatre except what was in the playbill.
Upon this a voice cried: “_Et vous, Monsieur, êtes-vous aussi sur
l’affiche?_”—a hit which was received with universal laughter. For here
the subsumption of what is heterogeneous is at once distinct and unforced.
The epigramme:
“Bav is the true shepherd of whom the Bible spake:
Though his flock be all asleep, he alone remains awake:”
Public-domain text, read in full here on John Shaqi.
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