I was conscious now that I was tired to the point of exhaustion, and
thirsty beyond patient endurance. To stay there was not hopeful. I
gathered my remaining courage, and commenced to explore my refuge
further.
CHAPTER VII
CAPTURE
Very fearfully I went forward. The fact that those fierce beasts did not
dare to follow was itself a warning. One thing was certain. I was in the
presence here of an engineering capacity such as I had not seen
previously, unless it were in the opal pavement. The passage sloped down
steeply in a steady spiral. It was of ample width, and of great height.
The floor was not earth or rock, but a smooth rubber-like substance that
gave pleasantly underfoot. The walls were smooth and hard, coloured a
light grey, having a polished surface. The ceiling was opalescent,
giving a faint but sufficient light, which was reflected from the
polished walls.
I went down, expecting always that the steady turning descent would
bring me into some great hall or chamber, or at least into a level
passage, but it did neither. I went on because I was too tired to stop,
or at least because I was too tired to think of climbing upward, and to
stay was hopeless.
There was no least change in the monotony of floor, or wall, or ceiling,
till I felt that they must surely go on for ever, till I swayed dizzily
as I descended on that continued curve, till I lost consciousness of
time, and went on half-asleep, and half-believing myself to be in some
nightmare of illusion. And because I was so dazed, when it came, I
almost missed it.
It was a niche, or rather a cavity, in the wall, flatly paved, and
having a great jar standing in it. I think the instinct of my parched
frame told me it was water. The jar or basin was of the height of my
shoulder, and about ten feet across. I bent my head into it and drank,
and knew the joy of life as I had not imagined it to exist before.
I stopped myself sharply with the thought that it might be something
different from wholesome water, in this place where all was strange, but
I had drunk well by then. I looked round and saw a heap of large cakes
of a dark-brown bread-like substance. There were nine of these neatly
piled, and behind them was a white slab in the wall, on which there were
three blue paintings, like Chinese picture-writing, one under the other,
each about a foot deep, and too high on the slab for me to examine them
nearly.
I shredded off a great slice from the bread with the axe, and found it
good, and sat down and ate heartily.
Public-domain text, read in full here on John Shaqi.
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