The constitution of this "mob" is worth attention. I saw it at many angles. I followed its first erratic flights through the streets when Salandra resigned and a gaping void opened before the nation. I waited for the poet's arrival at the Roman station, for hours, while the dense throng of men and women pressed into the great square and swelled like a dark pool into the adjoining streets. And I followed with the "piazza" in its instinctive rush to the hotel on the Pincian Hill to hear the voice of its spokesman. Again I was in the Corso when the plumed cavalry cleared the surging mass from the Piazza Venezia to the Piazza Colonna. I heard the people yell, "Death to the traitor Giolitti!" and "_Fuori i barbari!_" and sing Mameli's "L'Inno." I saw the uproar melt away in the soft darkness of the Roman nights, leaving the cavalry at their vigil before Santa Maria Maggiore, guarding the repose of Giovanni Giolitti. I can testify that the "piazza" was composed very largely of perfectly respectable folk like myself. It varied more or less as chance gatherings of men will vary. Sometimes there were more workingmen in dirty clothes, sometimes more youths and boys with their banners, sometimes more shouters and fewer actors. But the core of it was always that same mass of common citizenship that gathered anciently in the Forum, that to-day goes orderly enough to the polls in New York or Chicago,--plain men, rather young than old, who are so distinctly left on the outside of affairs, who must perforce turn to the newspaper for information and to the open street for expression, who relieve themselves of uncomplex emotions by shouting, and who symbolize the things they hate to the depth of their souls with personalities like Giolitti and occasionally shy bricks at the guarded home of authority. All this, yes, but not "riff-raff," not anarchist, nor _mafia_, nor _apache_. Nothing of that did I see those days and nights.