World War, 1914-1918; World War, 1914-1918 -- France; World War, 1914-1918 -- Italy; World War, 1914-1918 -- United States
Why, after all, should we feel so apologetic for the voice of the piazza?
All popular government, even in the limited form of a constitutional
monarchy such as Italy, is a rough, uncertain affair. "The House of Savoy
rules by executing the will of the Italian people." Good! But how is that
popular will to be determined? Not, surely, by taking a poll of the five
hundred-odd Deputies of the Italian Parliament elected two years before
the world was upset by the Teuton desire to rule. Those Deputies were
chosen, as we Americans know only too well how, by mean intrigues of party
machines, by clever manipulation of trained politicians like Giovanni
Giolitti, who by their control of appointed servants--the prefects of the
provinces--can throw the elections as they will, can even disfranchise
unfriendly elements of the population. Manhood suffrage is not a precise,
a scientific method of getting at public opinion. It is possibly the least
accurate method of gauging the will of a people. Something other than the
poll is needed to resolve the will of a nation. And when that will is
determined it makes little odds what instrumentality expresses it. Even
the Giolittian Deputies, when brought to the urn for a secret vote on the
Salandra measures a week after the lively expression of popular will in
the piazza, voted--secretly--against their neutral leader, in favor of
war! They had been converted by the voice of the piazza--by other things
also in all likelihood. If their votes had been taken ten days before,
when Giolitti first arrived in Rome, the result would have been far
different: as Salandra and his colleagues knew. In the end the Italian
Parliament merely registered the will of the people, both men and women,
which expressed itself, as it always must, in diverse ways, through the
press, by the voice of the piazza, in public and private discussion,
flightily, weightily, passionately, timidly.
* * * * *
Public-domain text, read in full here on John Shaqi.
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