Nearly a year had passed since General Ducros had dined with Count
Valdemar and Ma'm'selle Sophie in Paris. It was Cowes week, and there
was quite a cosmopolitan party at Orrel Court. Adelaide de Condé and
Madame de Bourbon were the best of friends with Count Valdemar and
Sophie. Clifford Vandel and Miss Chrysie were good friends with
everybody, the latter especially good friends with Hardress, whose
work was now rapidly approaching completion. In short, it was as
charming a cosmopolitan party as you could have found on the Hampshire
shore, or anywhere else; and none of the other guests of Lord Orrel,
and there were several of them not unskilled in diplomacy, ever dreamt
that under the surface of the smooth-flowing conversation, whether
round the dinner-table at the Court, on the _Nadine_, which ran down
the Southampton Water every day that there was a good race on, or at
Clifford Vandel's bungalow at Cowes, whose smoothly shaven lawn sloped
down almost to the water's edge, lay undercurrents of plot and
counterplot, the issue of which was the question whether the dominion
of the world was to be committed to Anglo-Saxon or Franco-Slav hands.
One night--it was the evening after the great regatta--three
conversations took place under the roof of Orrel Court, which the
greatest newspapers of the two hemispheres would have given any amount
of money to be able to report, since each of them was possibly
pregnant with the fate of the world.
When Clifford Vandel came up from the smoking-room a little after
eleven he found Miss Chrysie waiting for him in the sitting-room of
the suite of apartments that had been given to them in the eastern
wing of the old mansion.
"Don't you think you ought to be in bed, Chrysie, instead of sitting
there smoking a cigarette, and--Why, what's the matter with you,
girl?"
He had begun with something like a note of reproach in his voice, but
the last words were spoken in a tone of tender concern.
She got up from her chair, went to the door, and shut it and locked
it, and then, with her half-smoked cigarette poised between her
fingers, her face pale, and her eyes aflame, she faced him and said,
in low, quick-flowing tones:
"Poppa, can't you see what's the matter?--you, who can see things
months before they happen, and make millions by gambling on them?--you
who did up Morgan himself over that wireless telegraphy combine--can't
you see what's going on right here just under your nose?"
"My dear Chrysie, what are you talking about? I've not noticed
anything particular happening, except what's happened in the right
way. What's the trouble?"
"The trouble's that Frenchwoman--that second edition of Marie
Antoinette. Can't you see what she's doing every hour and day of her
life? Can't you see that she's as beautiful as an angel, and--well, as
clever as the other thing, and that she's just playing her hand for
all she's worth to get the man I want--the man I half-promised myself
to a year ago!"
Public-domain text, read in full here on John Shaqi.
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