Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Novelists -- Fiction; Publishers and publishing -- Fiction
Women kept askin’ for Fashion’s Pansy, till you’d ’a’ thought
every last one of ’em was going to live and be buried in it. Then all
at once none of ’em wanted it--wouldn’t touch it. That and butter begun
it. You know how a country merchant’s got to take all the butter the
women bring him, and he’s got to pay for sweet butter, and sell it for
grease half the time. You can tell a woman she’d better keep an eye on
her daughter, but if you say she don’t make good butter, that’s the last
of that woman’s custom. But what’s finally knocked me out is this drop
in bric-à-brac. If it hadn’t been for that, I guess I could have pulled
through. Then there was such a rush for Japanese goods, and it lasted so
long, that I loaded up all I could with ’em last time I was in New York,
and now nobody wants ’em; couldn’t give ’em away. Well, it’s all a game,
and you don’t know any more how it’s comin’ out--you can’t bet on it
with any more certainty--than you can on a trottin’ match. My! I wish I
was dead.”
The deep-voiced man murmured something again, and the high-voiced man
again retorted:
“What say? Oh, it’s all well enough to preach; and I’ve heard about the
law of demand and supply before. There’s about as much of a law to it as
there is to three-card monte. If it wasn’t for my poor wife, I’d let ’em
take me back on ice. I would that.”
The deep-voiced man now seemed to have risen; there was a shuffling of
feet, and presently a parley at the open door about commonplace matters;
and then the two men exchanged adieux, and the door shut again, and all
was silent in the room opposite Ray’s. He felt sorry for the unhappy
man shut in there; but he perceived no special significance in what he
had overheard. He had no great curiosity about the matter; it was one of
those things that happened every day, and for tragedy was in no wise
comparable to a disappointment in first love, such as he had carefully
studied for his novel from his own dark experience. Still it did suggest
something to Ray; it suggested a picturesque opening for his first New
York letter for the Midland _Echo_, and he used it in illustration of
the immensity of New York, and the strange associations and
juxtapositions of life there. He treated the impending failure of the
country storekeeper from an overstock of Japanese goods rather
humorously: it was not like a real trouble, a trouble of the heart; and
the cause seemed to him rather grotesquely disproportionate to the
effect. In describing the incident as something he had overheard in a
hotel, he threw in some touches that were intended to give the notion of
a greater splendor than belonged to the place.
He made a very good start on his letter, and when he went to bed the
broken hairs that pierced his sheet from the thin mattress did not keep
him from falling asleep, and they did prove that it was a horse-hair
mattress.
V.
Public-domain text, read in full here on John Shaqi.
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