Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Novelists -- Fiction; Publishers and publishing -- Fiction
He formulated some phrases introducing himself in his newspaper
character, as he walked up Broadway with his manuscript held tight under
his arm, and with that lifting and glowing of the heart which a young
man cannot help feeling if he walks up Broadway on a bright October
morning. The sun was gay on the senseless facades of the edifices,
littered with signs of the traffic within, and hung with effigies and
emblems of every conceit and color, from the cornice to the threshold,
where the show-cases crowded the passengers toward the curbstones, and
to the cellarways that overflowed the sidewalks with their wares. The
frantic struggle and jumble of these appeals to curiosity and interest
jarred themselves to an effect of kaleidoscopic harmony, just as the
multitudinous noises of the hoofs and wheels and feet and tongues broke
and bruised themselves to one roar on the ear; and the adventurer among
them found no offence in their confusion. He had his stake, too, in the
tremendous game that all were playing, some fair and some foul, and
shrieking out their bets in these strident notes; and he believed so
much he should win that he was ready to take the chances of losing. From
the stainless blue sky overhead the morning sun glared down on the
thronged and noisy street, and brought out all its details with keen
distinctness; but Ray did not feel its anarchy. The irregularity of the
buildings, high and low, as if they were parts of a wall wantonly
hacked and notched, here more and here less, was of the same moral
effect to him as the beautiful spire of Grace Church thrilling
heavenward like a hymn.
He went along, wondering if he should happen to meet either of those
young women whom he had befriended the evening before. He had heard that
you were sure to meet somebody you knew whenever you stepped out on
Broadway, and he figured meeting them, in fancy. He had decided to put
them into his story of New York life, and he tried to imagine the
character he should assign them, or rather one of them; the one who had
given the old darkey a quarter out of his dollar. He did not quite know
what to do with the child; something could be made of the child if it
were older, but a mere baby like that would be difficult to manage in
such a story as Ray meant to write. He wondered if it would do to have
her deserted by her husband, and have the hero, a young literary
adventurer, not at all like himself, fall in love with her, and then
have them both die when the husband, a worthless, drunken brute, came
back in time to prevent their marriage. Such a scheme would give scope
for great suffering; Ray imagined a scene of renunciation between the
lovers, who refused each other even a last kiss; and he felt a lump rise
in his throat. It could be made very powerful.
Public-domain text, read in full here on John Shaqi.
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