Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Novelists -- Fiction; Publishers and publishing -- Fiction
Ray’s voice broke a little as he said this; but he hoped Mr. Brandreth
did not notice, and he made haste to get out into the crowded street,
and be alone with his emotions. He was quite giddy with the turn that
Fortune’s wheel had taken, and he walked a long way up town before he
recovered his balance. He had never dreamt of such prompt consideration
as Mr. Brandreth had promised to give his novel. He had expected to
carry it round from publisher to publisher, and to wait weeks, and
perhaps whole months, for their decision. Most of them he imagined
refusing to look at it at all; and he had prepared himself for rebuffs.
He could not help thinking that Mr. Brandreth’s different behavior was
an effect of his goodness of heart, and of his present happiness. Of
course he was a little ridiculous about that baby of his; Ray supposed
that was natural, but he decided that if he should ever be a father he
would not gush about it to the first person he met. He did not like Mr.
Brandreth’s interrupting him with the account of those amateur
theatricals when he was outlining the plot of his story; but that was
excusable, and it showed that he was really interested. If it had not
been for the accidental fact that Mr. Brandreth had taken the part of
Romeo in those theatricals, he might not have caught on to the notion of
_A Modern Romeo_ at all. The question whether he was not rather silly
himself to enter so fully into his plot, helped him to condone Mr.
Brandreth’s weakness, which was not incompatible with shrewd business
sense. All that Mr. Brandreth had said of the state of the trade and its
new conditions was sound; he was probably no fool where his interest was
concerned. Ray resented for him the cruelty of Mr. Kane in turning the
baby’s precocity into the sort of joke he had made of it; but he admired
his manner of saying things, too. He would work up very well in a story;
but he ought to be made pathetic as well as ironical; he must be made to
have had an early unhappy love-affair; the girl either to have died, or
to have heartlessly jilted him. He could be the hero’s friend at some
important moment; Ray did not determine just at what moment; but the
hero should be about to wreck his happiness, somehow, and Mr. Kane
should save him from the rash act, and then should tell him the story of
his own life. Ray recurred to the manuscript he had left with Mr.
Brandreth, and wondered if Mr. Brandreth would read it himself, and if
he did, whether he would see any resemblance between the hero and the
author. He had sometimes been a little ashamed of that mesmerization
business in the story, but if it struck a mood of the reading public, it
would be a great piece of luck; and he prepared himself to respect it.
If Chapley & Co. accepted the book, he was going to write all that
passage over, and strengthen it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account