Perhaps the most elementary fact about dream vision is the perpetual and
unceasing change which it is undergoing at every moment. Sight is for
most of us the chief sensory activity of sleeping as it is of waking
life; the commonest kind of dream is mainly a picture, but it is always
a living and moving picture, however inanimate the objects which appear
in vision before us would be in real life. No man ever gazed at a dream
picture which was at rest to his sleeping eye as are the pictures we gaze
at with our waking eyes. So far as my own experience is concerned, I have
rarely in sleep seen a sentence, a word, a letter written on a sheet of
dream-paper which was not changing beneath the eye of sleep. I dream,
for instance, that I wish to stamp a letter, and look in my pocket-book
for a penny stamp; I am able to find stamps of other values, I am able
to find penny stamps that are torn or defaced or of an antiquated type
disused thirty years ago; all sorts of stamps, as well as little pictures
resembling stamps, develop and multiply beneath my gaze; the stamp I
seek remains unfound, probably because it had appeared at the beginning
of the series and suggested all the rest. That is indicated by another
dream (experienced, it may be noted, during the early stage of a cold in
the head): I have to catch a train; I see my hat hanging on a peg among
other hats, and I move towards it; but as I do so it has vanished; and I
wander among rows of hats, of all shapes and sizes, but not one of them
mine. Sleeping consciousness is a stream in which we never bathe twice,
for it is renewed every second. It is this as much as any characteristic
of the visual dream--for the mainly auditory or motor dream often presents
less difficulty in this respect--which makes it so difficult to recall
and reproduce. We are, as it were, gazing at a constantly revolving
kaleidoscope in which every slightest turn produces a new pattern,
somewhat resembling that which immediately preceded it--so that, if the
kaleidoscope were conscious we should say that each picture had been
suggested by the preceding pattern--but yet definitely novel.[12]
Public-domain text, read in full here on John Shaqi.
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