Science fiction, English -- History and criticism; Wells, H. G. (Herbert George), 1866-1946 -- Criticism and interpretation
Now the sense of solidarity, the sense of order, implies the
subordination of details, the discipline of constituent units. Only in
his later works did Wells begin to consider the problems of the
individual life; in his novels he has considered them almost
exclusively, but always in relation to the constructive purpose of
society and as what may be called human reservations from it. The
telescope has been adjusted to a close range, and the wider
relationships are neither so emphasized nor so easily discerned.
Nevertheless it is still the world that matters to Wells--the world, the
race, the future; not the individual human being. And if, relatively, he
has become more interested in the individual and less in the world, that
is because he is convinced that the problems of the world can best be
approached through the study of individuals. His philosophy has grown
less abstract in harmony with his own experience; but the first sketch
of his view of human nature and its function is to be found crudely
outlined in the scientific romances. How does it figure there?
The human beings who flit through these early tales are all
inconspicuous little men, whose private existence is of no account, and
who exist to discover, invent, perform all sorts of wonderful
experiments which almost invariably result in their summary and quite
unimportant destruction. They are merely, in the most complete sense,
experiments in the collective purpose, and their creator has toward them
just the attitude of an anatomist toward the animals upon which he is
experimenting; not indifferent to their suffering as suffering, but
ignoring it in the spirit of scientific detachment necessary to
subordinate means to an end. "I wanted--it was the only thing I
wanted--to find out the limit of plasticity in a living form," says Dr.
Moreau in his confession; "and the study has made me as remorseless as
nature."
Public-domain text, read in full here on John Shaqi.
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