Science fiction, English -- History and criticism; Wells, H. G. (Herbert George), 1866-1946 -- Criticism and interpretation
Therefore he has come to socialism not by the ordinary course but by a
route obscure and lonely. The sense of possible catastrophe and
collapse, the folly of leaving things to chance, the infinite waste and
peril of committing our affairs to nature rather than to art--these are
some of the negative reasons that have made it impossible for him to
fall in with the non-socialist ideal in human affairs, that "broadening
down from precedent to precedent" which he calls "muddling through": a
doctrine that is wholly compatible with a world of haphazard motives,
accidental fortunes, accidental management, a democratic individualism
that places power in irresponsible hands and suppresses talents that
society cannot afford to lose, a governmental system that concerns
itself with legal and financial arrangements, experts with no sense of a
common purpose, patriotisms that thrive on international bad feelings,
and that competitive principle which succeeds in the degree in which it
ignores the general welfare--a chaos of private aims, private virtues,
private motives, without any collective human design at all.
In the light of these opposed ideas of society as a thing of Chance and
as a thing of Design, let me run over two or three of the tales of
Wells.
First of all there is the special _laissez faire_ of pure economic
determinism. _The Time Machine_ pictures a possible result of the
Marxian process which has led to an irrevocable division of classes. The
rich, who were, in the old time, in comparison with the poor,
disciplined and united, have long since reached a point where work and
fear are for them things of the past. They occupy the surface of the
earth, and idleness and futility have made them light-headed, puny,
helpless creatures, stirring about and amusing themselves in the
sunlight. The poor, meanwhile, driven underground where they burrow and
tend machinery and provide, have lost all human semblance and become
white, horrible ghoul-like creatures that see in the dark; at night they
swarm out of their holes and feed upon the creatures of the upper air.
The one class has lost all power to defend itself and the other all pity
to spare, and gradually, year after year, mankind comes to its end.
Public-domain text, read in full here on John Shaqi.
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