Science fiction, English -- History and criticism; Wells, H. G. (Herbert George), 1866-1946 -- Criticism and interpretation
But considered as a sacred image the aeroplane has its limitations. So
also, considered as an exponent of fife, has Wells. Philosophy and
religion, as he presents them, are simply what he chooses to think and
feel, what he has been led by his own experience to think and feel. His
main experience has been the experience of disentangling himself, and
therefore life, reflected from within himself, is to him a thing also
which disentangles itself and grows ever more free, simple, and lucid.
In the mind of Wells this process, has taken on an altogether mystical,
transcendental significance, a religious aspect. Possible as that is to
himself personally, how far can it be taken as an argument to the human
soul? How does it qualify him as a teacher, a public voice, a thinker
for the mass of men? How does the conception of life purely as a process
relate itself to human experience?
Applied to history, it seems to fail. Wells is devoid of historical
imagination. In his portrait of Margaret in _The New Machiavelli_ he has
properly, though somewhat harshly, repudiated what ordinarily passes for
culture. But had he himself possessed the reality of what seems to him
simply "living at second hand," he would never have been led to refer to
Leonardo, Michael Angelo, and Dürer as "pathetically reaching out, as it
were, with empty desirous hands toward the unborn possibilities of the
engineer." That is a very interesting and a very extraordinary
statement, and it is quite true that each of these men would have
rejoiced in the engineering possibilities of our time. But how much of
the soul of Michael Angelo, for example, was involved in engineering?
How far can his hands be said to have been "empty" for the want of scope
in engineering? The power and the function of Michael Angelo can rightly
be seen, not in relation to any sort of social or mechanical process,
but in relation to things that are permanent in human nature, in
relation to just those matters included in the admonition of Wells to
"reject all such ideas as Right, Liberty, Happiness, Duty, and Beauty
and hold fast to the assertion of the fundamental nature of life as a
tissue and succession of births." Again, consider a somewhat similar
reference to Marcus Aurelius, of which the gist is that the author of
the _Meditations_ was, actually in consequence of his own character, the
father of one of the worst rulers the world has known. The implication
here is that the study of self-perfection in the father was
complementary to, if not responsible for, the social impotence and
blindness of the son. Instead of dedicating himself to the static ideal
of personal character, the assumption seems to be, Marcus Aurelius ought
to have lived exclusively in his function as ruler and father. He
studied himself, not as a ruler but as a man, and the social process had
its revenge on his line. To Wells, in a word, the static elements of
character and the study of perfection are not to be distinguished from
Public-domain text, read in full here on John Shaqi.
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