Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
When archaeological discoveries during the last forty years had thrown
some light on the pre-Homeric age, then the material objects found
were raked and sifted for proof of the foregone conclusion--the Epic
is a mosaic of four or five centuries. We have examined the results
of the archaeological inquisition into discrepancies in religion,
custom, armour, tactics, and so forth. We try to prove that, in all
such details, the epics are the work of a single moment of culture; and
again, that no other work of the Greek genius, and no material relics
of other moments of Greek culture, represent the religion, polity,
armour, costume, morality, and taste of Homer. Not in these fields of
ascertainable facts can the proof that the Epics are by many men in
many ages be discovered.
Except in the general conclusion that the _Iliad_ is a mosaic, produced
(most of them think) by a long series of Ionian additions to an Achaean
"kernel," there is no harmony among critics. For example, English
savants usually, like Mr. Leaf, make no objections to the unity of
the _Odyssey_. They do not read it in the same spirit, or torment it
in the same style, as they rack and lacerate the _Iliad_. With Wolf,
they recognise its unity, though it arose in the same dark age, and
passed through the same adventures as the _Iliad_. Yet in Germany the
_Odyssey_ is even more and more variously lacerated than the _Iliad_.
Turning to the most recent English book on the subject, _Homer and
the Iliad_, by Miss Stawell (1909), we find that while she rejects
6,000 out of 15,000 lines as non-original, she cannot believe in the
critics' "original _Menis_" of only some 2500 lines. She, like the
rest, believes (what Wolf did not believe) "that it is quite possible
to disentangle the original core of the _Iliad_ from the present mass."
But of her _Iliad_, her "core" is by far the greater part, not a poor
sixth. I am tempted to quote a long passage from Miss Stawell, because
it seems to contain sound sense, and to be guided by fine literary
appreciation.
"The reconstructions actually proposed seem open to serious
criticisms. It appears to me that certain important
considerations have been overlooked, and that in their
light we should discover the original to be far more
like the _Iliad_ as we have it now than has usually been
supposed.
Public-domain text, read in full here on John Shaqi.
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