Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
Thus no such stylistic convention--maintained in our _Iliad_ and
_Odyssey_, neglected in the _Cypria, Aethiopis,_ and the rest--can be
accepted. In fact, another and a special cause for many of Homer's
silences has to be suggested, as we shall see. Once more it is my
assumption that our epics were made in the main as we have them, for a
peculiar audience, a courtly and knightly audience, known to themselves
and their poet as "Achaeans." That they were of unmixed race I do not
suppose; these Northern invaders, their chiefs at least, would marry
the daughters of the princes of the land. But I assume that our epics
were made for them, _while they retained their Northern ideas_; on
many points very like the ideas, usages, and beliefs of the heathen
Scandinavian settlers in Iceland. It is maintained by Mr. Murray that
the ideas of "the conquered races" were very different, and that, as
the two peoples mingled, the ideas of the conquered races re-emerged.
This is manifestly true. But my view is that Achaean society, courtly
society at least, had not adopted the beliefs and usages of the
conquered races at the time when our epics, which ignore them, were
composed. But these usages and ideas are usual in the fragments of the
Cyclic epics on Trojan affairs. No stylistic convention interfered
and kept them out. Mr. Murray has to discover a special cause for the
presence in the "Cyclic" of much that is absent from our two epics.
The ideas of Mr. Murray, in some passages of his work, appear to be
precisely the opposite of my own. In other passages we seem to be on
the very point of agreement.
When we are told, in passages to be quoted, that there was in the
formation of the _Iliad_, and to a less extent in that of the
_Odyssey_, a strong element of reform and expurgation, we ask
ourselves--who, in what age, and from what motives, were the reformers
and purgers of _what_ pre-existing poetic and legendary materials? Were
those materials the property of the "Achaean or Northern" conquerors,
or of the pre-existing "conquered races" (to use Mr. Murray's terms);
or were the materials a medley derived from both sources? Were the
purgers Achaean poets working on materials, at least in part the
property of the conquered races? Or was the purgation mainly done by
Ionians, that is, by the mixed Greek peoples settled in Asia; peoples
certainly retaining many of the ideas of the conquered races which our
Homer ignores? Or did "the Achaean or Northern spirit" purge away some
things distasteful to that spirit, while the Ionians purged away other
things? What the elements more or less purged away are supposed to be,
we shall see later. In the passage to which I have referred[1] we find
the following statements:--
Public-domain text, read in full here on John Shaqi.
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