Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
"The epic tradition of Greece, vast and tangled in its wealth of varied
beauty and ugliness, was left by the Homeric poets a much cleaner and
colder thing than they found it. In the result, two influences were
mainly at work. First, a general humanising of the imagination, the
progress of a spirit which, as it loved beauty, hated cruelty and
uncleanness. Secondly, a race prejudice. The relation of the Northern
and the aboriginal elements in the Homeric poems are involved, when
you come to details, in inextricable confusion, but in general the
'Homeric' tone of mind represents more of the Achaean or Northern
spirit; the spirit of those scattered strong men who in their various
settlements were leading and shaping the Aegean world. The special
myths, beliefs, and rites that were characteristic of the conquered
races are pruned away or ignored; the hero-worship, the oracles, the
magic and witchcraft, the hocus-pocus of purification, all that savours
of 'the monstrous regiment of women, the uncanny prowess of dead men,
and the baleful confusion between man and God.'
Here I should absolutely agree with Mr. Murray, if I were convinced
that "the Northern or Achaean spirit" of Achaean poets was dealing
mainly with "the epic tradition" of præ-Achaean Greece. If they were,
they would certainly "ignore or prune away" manners and beliefs which
were not their own. But I have shown, I think, that between Achaean
and Athenian early "Saga" a great gulf was fixed in Homeric times.
The Homeric poet dealt with Achaean legend, which could not contain
ghost-worship, "hocus-pocus of purification," and so on. Let me here
remark that no known later Greek taste objected to the _märchenhaft_,
the preposterous element in "Saga." Pindar and the dramatists do not
reject it, I have shown, but Homer does in the _Iliad_. Had Homer
revelled in it, later Greek taste saw nothing out of keeping here; had
no temptation to expurgate Pegasus, or the soul-box of Meleager, or the
magical invulnerability of Achilles, or his medicinal spear, or that
magical property, the Luck of Troy, the palladium, and so forth. The
genius of Homer, not later expurgation, accounts for his reticence.
Public-domain text, read in full here on John Shaqi.
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