Homer retains the true sense of the position of the Over Lord, no tincture of the ideas of later ages appears in the Epics. Now, is it not a point worth considering that the Epics, though the critics take them to have been open to interpolation even in their oldest passages, down to 540 B.C. or thereabouts, never contain the word τύραννος or any of its compounds? The τύραννος, the "Tyrant," was originally the person who unconstitutionally seized power in one of the republics, usually oligarchic, that succeeded to the Homeric kingships. We place the early "tyrants" in the eighth century and onwards. To the Athenian tragedians a Homeric king was a "tyrant." Yet despite the assumed facility of interpolation into the Epics, even at a much later date than the eighth century, no late poet foisted into our Epics the word τύραννος, nor the ideas which it denotes. This abstinence is irreconcilable with the supposed freedom of late interpolating poets in uncritical ages. The Epics are perfectly consistent in their view of the divine right, but limited power, of the Over Lord. He may display illegal arrogance (ὕβρις), but he is never a τύραννος. The word, and the ideas connected with the word,--usurpation by an individual of despotic power over members of a free commonwealth,--were familiar to Greeks on both sides of the sea in the eighth century. Interpolators of that period could hardly have kept the word τύραννος out of their additions of new matter, but it appears to occur for the first time in the Hymn to Ares: "tyranny" (τύραννίς) is familiar to Archilochus.[13] Thus, in the important matter of polity, we see that the Homeric picture of society is coherent, represents a well-known social and political state of affairs, is drawn with minute knowledge of the rights and duties of all concerned, and bears no trace of interpolations made under the later conditions known to Ionian poets in Asia. But some epics of these poets display a grudge against the Over Lord and his House, which is un-Homeric, and is exaggerated by the Athenian tragedians. [1] _Iliad_, xxiii. 832. All this passage, the conclusion of the funeral games, is regarded as a late addition. It may be, but the poet preserves the distinction between the uses of iron for implements, and of bronze for weapons, which pervades both Epics. When a warrior like Achilles offers a mass of iron for a prize, "we rather expect from him," says Helbig, "an allusion to the military uses of the metal" (_Das Homerische Epos_, pp. 330, 331, 1887). But Homer does not regard iron as a military metal. [2] _Iliad_, ix. 574-580. [3] _Iliad_, xii. 421-423. [4] xv. 498. [5] Odyssey, xi. 490. [6] Opp. 341. [7] Codrington, _The Melanesians_.