Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
One thing is certain, that the prehistoric usage of bride-price almost
uniformly prevails in the poems, with a trace of such variations in
custom as actually occur, when circumstances or affection demand it, in
every stage of human society. The bridal customs are not pedantically
stereotyped in Homer, but variations in accordance with circumstances
do not prove lateness or earliness, any more than such female names
as Alphesiboea, Phereboea, Polyboea, and others, indicating that a
daughter, on her marriage, will bring many kine into her family,
"express the excuse which the parents made to themselves for venturing
to rear the useless female child."[10]
Not even in Australian black society are girls more apt than male
babies to be killed as _bouches inutiles_, they are far too valuable
to their brothers or maternal uncles, being exchanged for other men's
sisters or nieces as brides. The cattle-owning barbaric societies of
Africa are not addicted to female infanticide, much less could Homeric
society be with its wealth and its tenderness of heart. In Greek
non-Homeric legend how often do we hear of a baby-girl being exposed?
It is the boys who suffer, in the hope of defeating some prophecy.
Homeric society is infinitely remote from that in which girls were too
expensive and useless to keep.[11]
Homer is the last author in whom we can hopefully look for survivals of
savagery, or of cruel and filthy superstitions. In the Epics there is
not a harlot, common as they are in the ancient Hebrew books. It is not
to be supposed that the ancient profession was unknown, but all such
things are ignored in deference to a taste more pure than that of early
Ionian society and of historic Greece from first to last. The tone of
taste and morals is, in short, Achaean, like the poet himself;[12]
Shakespeare, in _Troilus and Cressida_, makes Patroclus mimic Nestor; he
"coughs and spits,
And with a palsy fumbling in his gorget,
Shakes in and out the rivet,"
in "a night-alarm." Shakespeare has read of the night-alarm in _Iliad_,
Book x., but not there did he find, nowhere in Homer could he find "the
faint defects of age" made matter of merriment. In Homer nobody coughs!
Public-domain text, read in full here on John Shaqi.
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