Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
_A la guerre comme à la guerre_. The morals of war in Homer are not
unlike those of war everywhere in the matter of "atrocities." The siege
operations were very inefficient. The Achaeans were not able to invest
Troy, and they never dreamed of an escalade. Without a scaling-ladder
Patroclus "thrice clomb on the corner of the lofty wall," and was only
thrust back by Apollo.[9] But scaling-ladders are never mentioned; a
night attack is never contemplated. The famous Wooden Horse is the
only hint of an approach under a wooden cover on wheels (the mediaeval
"Sow"); and if it was anything of that sort, Homer did not understand
its nature. The efficient fighting in the open was done by chariotry
(the owners usually dismounted and fought in line or column); as in
most ancient oriental countries, Scotland in Roman times, and Ireland
in the Late Celtic period, perhaps as late as 300 a.d., also in early
Britain. By the date of the Black Figure vases (sixth century B.C.)
and in seventh century art, the painters often introduce mounted men:
the "late poets" abstained from doing so, it appears, except the late
unspeakable _Stümper_ of the Doloneia, according to Reichel.
The tactics, as far as we can make a coherent picture of them, were
peculiar, but not unexampled.
At the beginning of a pitched battle the knights (owners of chariots)
dismounted, and formed a thick and serried line of infantry: behind
them came the nameless host, concerning whose armour we have no
information. The light-armed archers and slingers showered their
missiles, and the combat might last for hours. At "the break of the
battle," when one side had broken the enemy's line, the victors pursued
either on foot, or, more generally, in their chariots which had been
stationed behind them in the close combat; while the vanquished leaped
into their chariots and fled, save the brave who retired face to the
foe. After the break in the battle, the individual exploits of the
mounted knights, the chariotry, fill the picture, till the beaten
forces reach the wall of the Greek camp, or of Troy, when a rally
occurs, followed by another battle in ordered ranks.[10]
Public-domain text, read in full here on John Shaqi.
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