Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
That in one book a critic should reject, let us say, the hypothesis
of the "Pisistratean recension" of the epics, and, in his next book,
accept it, is nothing. Reflection has caused him to change his opinion.
But when, in one book, in one chapter, perhaps in one page, a critic,
without perceiving it, bases his argument on contradictions in
terms, then his house is founded on the sand, and needs no tempest to
overthrow its pinnacles and towers.
Through indulgence in fantastic theory-making, and through disregard of
logical consistency, Homeric criticism has become, as Blass vigorously
put the case in his latest work, "a swamp haunted by wandering fires,
will-o'-the-wisps."
In 1906, in _Homer and his Age_, I again studied the Homeric Question,
with particular reference to fresh archaeological discoveries, and
to the contradictory methods, as I reckon them, which critics have
employed in the effort to prove that the Homeric epics are mosaics,
composed in, and confusing the manners and usages of, four or five
prehistoric and proto-historic ages.
I do not now reprint either of my earlier books on Homer. Further
study appears to have made many points more clear than they were. It
is especially clear that "the Ionian father of the rest," as Tennyson
calls Homer, is _not_ Ionian; that the early Ionian settlers in Asia
respected Homer's matter, which is Achaean, and did not intermingle
with it any traits of their own very different beliefs, rites, tastes,
morals, usages, armour and costume.
By the term "Ionian" I here mean to speak of the works composed in the
Ionian settlements in Asia, probably in the eighth to seventh centuries
B.C., and of the non-Homeric beliefs, rites, usages, costume and armour
of the same people and period. Most of these beliefs, usages, and rites
also mark historic Hellas, and very probably existed in the early
populations of Greece before the dominance of Homer's Achaeans.
On the chronological period, as determined by archaeology, in which
the _Iliad_ and _Odyssey_ were composed, I am fortunate in having the
support of Mr. Arthur Evans, the chief authority in this matter; while
Mr. T. W. Allen, our leading textual critic, is persuaded of the fact
of Homeric unity. Where language is concerned (as has been said),
the linguistic Appendices to Miss Stawell's _Homer and the Iliad_
(1909), with the minute and elaborate studies of Professor Scott of
the North-Western University, Illinois,[3] seem to me to overthrow
the separatist conclusions as to the presence of an earlier stage of
language and metre in some books; a later, or "Odyssean" stage in other
books of the _Iliad_. I have seen scarcely any public criticism in
reply to Miss Stawell and Professor Scott on these essential points, in
which I have not scholarship enough to pretend to be a judge.
Public-domain text, read in full here on John Shaqi.
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