The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and SumerSmith, Hermann
History
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and Sumer
Smith, Hermann
Music -- To 500 -- History and criticism
“It was in fifty pieces, but the fragments could be so
put together as to leave no doubt of its figure and
action. The wood is of cedar, and in size similar to that
held in the hand of Apollo. Having laid in the earth
about three thousand years, it was surprising that the
woodwork was not all decayed, for the metallic parts
were completely dissolved. This lyre evidently had eight
strings, from the number of little rollers which had
turned upon the cross bar. On each roller there was a
small projecting peg, upon which the string was looped;
and then by turning the roller it was raised in pitch,
and the mode of fixing it was by slipping the end of the
roller, which was notched, upon a fastened piece of wood
of corresponding shape.”
This clearly was a clutch method, and a fairly good mechanical
invention, and possibly some details are wanting, if fine tuning
according to our notions was required; and we are led to suppose that
the Greeks were very exacting about pitch. Yet for all the ancient
writers tell of subtle divisions of tones, I have my doubts of the
practical exercise of discrimination of pitch to the imagined degree
of sensitiveness of ear, generally assumed to be a natural gift of
the people of Greece; the instruments were not fitted with sufficient
mechanical exactness to produce and retain such fine distinctions.
Another advance in lyre-making consisted in the adaptation of a
projecting box affixed to the front of the larger body of the lyre;
this was an Egyptian invention, for which, see _ante_ Fig. 56. The
strings were attached to this little box, and it is probable that
within it there were means for tightening and relaxing the tension of
each. This was also a useful device for bringing the strings forward
from the face of the instrument. Let us hope that some forgotten tomb
still holds a perfect lyre in its keeping.
Greek writers make mention of lyres of many strings, with strange
sounding names, but examples are rare of such, indeed they are more
Asian than Greek. Pompeii and Herculanæum have preserved for us
pictures of some, but the period is late.
Public-domain text, read in full here on John Shaqi.
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